My films are about embarrassment.
There is no such thing as a good script, onlya good film, and I'm conscious that my scripts often read better than they play.
If, for instance, we'd made the film after the show had been to Broadway, it would have been exactly the same film but we would have been assured that they would have understood it. We didn't have to do any alterations for Broadway. I was supposed to go a fortnight before it opened to alter anything that was necessary and there was nothing really.
