Whether I'm interested [in something] or not, step one is read the script and figure out if a character is someone I'd want to explore or not.
I like to dress up and put on a nice suit for a party or a special event; I do enjoy it, but on a daily basis I wear stuff that I feel comfortable in.
I spent two months in Fredericksburg, Texas, when I was 8, while my father shot a movie, and I loved it. I just embraced the whole cowboy culture. I got myself a pair of awesome boots and a cowboy hat.
We don't have paparazzi following you in Sweden.
Being followed is weird, that people want to discuss where I ate lunch or what I wear when I go to lunch... the private life is just gone.
I wasn't like a Hollywood child actor - "I'm five! I can sing, I can dance, I can act! I wanna be a star!"
I was nervous when I first started True Blood because if you do a play or a movie, you know the complete arc of the character. You can see the end. But with a show like True Blood, you don't know what's going to happen.
I've been a member of Greenpeace since I was a teenager.
When I was four or five, I would organise my cars and my action figures. I needed some kind of structure, I think.
To turn off your phone when you go to your country house or you're on vacation for a few days is important. I turn off my phone and just check it once a day. I turn it on and, if it's an important message, I'll call back. Otherwise, it can wait.
I'm not very active on social media. I'm not on Facebook or Twitter or Instagram, or anything like that. But I think it's wonderful that they're out there. They're fantastic. I have a lot of siblings and friends that use it, and it's great for them. It's such a connected world.
If you're a great documentary filmmaker, it doesn't necessarily mean that you're a great narrative filmmaker. There are fantastic documentary filmmakers that can't direct actors. You don't have to do that in a documentary, if it's a real documentary.
A lot of times we associate Greenpeace and climate change and shrinking polar caps with heavy-handed, weighty material. It's somber stuff. But with Funny Or Die we thought we could put an interesting take on it. Make it a little more palatable, especially for young people who tune into the website.
When you meet a director who wants to remake a movie, you have to ask, does he or she have an interesting vision and idea, something that intrigues you - is there a reason why we should do this?
When I'm on a plane, people know where I'm going before I even know where I'm going. People know where you had lunch yesterday, or who you had lunch with. So, trying to avoid sharing everything with everyone is my way of keeping something private in my life.