Anna Quindlen Quotes about Writing

If you want to write what the world is about, you have to write details...real life is in the dishes. Real life is pushing strollers up the street, folding T-shirts, the alarm clock going off early and you dropping into bed exhausted every night. That's real life.

My most pronounced writing habit is trying not to write.

Not writing at all leads to nothing.

When I write a novel, I have what I think of as an icon that helps get me into the world of the book.

I will never understand people who think that the way to show their righteous opposition to sexual freedom is to write letters full of filthy words.

The beginning and the end are never really the journey of discovery for me. It is the middle that remains a puzzle until well into the writing. That's how life is most of the time, isn't it? You know where you are and where you hope to wind up. It's the getting there that's challenging.

Every story has already been told. Once you've read Anna Karenina, Bleak House, The Sound and the Fury, To Kill a Mockingbird and A Wrinkle in Time, you understand that there is really no reason to ever write another novel. Except that each writer brings to the table, if she will let herself, something that no one else in the history of time has ever had.

I think books in which people are really happy and things are going well are probably the most challenging novels there are to write, and there are very few of them.

Reporters are not paid to operate in retrospect. Because when news begins to solidify into current events and finally harden intohistory, it is the stories we didn't write, the questions we didn't ask that prove far, far more damaging than the ones we did.

Jane Austen may not be the best writer, but she certainly writes about the best people. And by that I mean people just like me.

Uncontrollable consumerism has become a watchword of our culture despite regular and compelling calls for its end. The United States has more malls than high schools; Americans spend more time shopping than reading. ... Some of the most insightful writing about the American character over the nation's history has been about neither freedom nor democracy but about the crazed impulse to acquire things.

Writing for UrbanMoms has awarded me a multitude of amazing opportunities. I have traveled to new places; alone and with my family. I have discovered new products, new books, new trends and new restaurants, and been able to share them with my readers. I've met other wonderful writers and many incredible celebrities.

At the same time that you've got to open yourself up to the fact that experience is going to teach you year after year, decade after decade. I remember I very badly wanted to write a newspaper column when I was only 21 years old, and I went to my editor and told him that, and he said, "You're a really good writer, but you haven't lived long enough to be qualified to live out loud."

Well, I'd like to think I am, and I'd also like to think that we're all having a lot more fun getting older than we pretend. It was interesting to me when I first started working on this book that I'd mentioned that I was writing a memoir about aging and everybody would moan and groan and carry on.

The age of technology has both revived the use of writing and provided ever more reasons for its spiritual solace. Emails are letters, after all, more lasting than phone calls, even if many of them r 2 cursory 4 u.

People have writer's block not because they can't write, but because they despair of writing eloquently.

the more humdrum aspects of life do not make for gripping reading. To render them compelling, a writer must describe the universal in eloquent and evocative prose. Alas, Frey's writing suggests that this was not an option, and he came up with something else.

I can't think of anything to write about except families. They are a metaphor for every other part of society.

It's so much easier to write a resume than to craft a spirit.

I don't have to listen to the Gospel on Sunday to know the stories of the New Testament. They inform so much of what I write that they're practically like a news scrim that goes through my brain 24/7.

We are writers. We danced with words, as children, in what became familiar patterns. The words became our friends and our companions, and without even saying it aloud, a thought danced with them: I can do this. This is who I am.

I think I'm like most novelists in that my books have gotten farther and farther away from autobiography the longer I've been writing them.

I can't begin to predict how news will be delivered to readers in, say, 100 years. But I do know one thing that hasn't changed: Whatever the delivery system, whether it's a magazine, book or blog, people like vivid writing, strong stories and credible people. So while the venue is changing rapidly, human nature isn't, which I find soothing.

I'm boggled by the idea of being an only child. I know nothing at all (I'm happy to say) about having had a cold and withholding mother, about being divorced. The more I've been writing novels, each novel I've written has become successively less grounded in anything approaching autobiography.

The truth is that when you're writing a novel you're really living in it; you're living in the house, and you're living in the town.