Cheryl Strayed Quotes - Page 8

…the death of my mother was the thing that made me believe the most deeply in my safety: nothing bad could happen to me, I thought. The worst thing already had.

Once I was in a cafe in Portland and the woman at the next table and I began chatting and in the course of our conversation she strongly recommend I visit this web site called 'The Rumpus' so I could read this advice column called 'Dear Sugar.' It was so painful not to tell her that in fact I was Sugar, but I didn't.

One thing any backpacker will tell you is that it's tedious and monotonous. You're bored sometimes, so you really have to make the fun in your head.

Wanting to leave is enough.

Not everyone wants to know everything their partner did. Maybe it's enough to say, "Things aren't going well in our marriage. I've made mistakes. I don't think you've been a good partner to me. How do we go forward together?" I think there's a different answer for every couple. But I think intimacy is asking that question.

I think the first thing - if you want to be a writer - the first thing you need to do is write. Which sounds like an obvious piece of advice. But so many people have this feeling they want to be a writer and they love to read but they don't actually write very much. The main part of being a writer, though, is being profoundly alone for hours on end, uninterrupted by email or friends or children or romantic partners and really sinking into the work and writing. That's how I write. That's how writing gets done.

Writing can be such a lonely endeavor that I do think community is also important.Meeting at cafes and exchanging work and reading to each other and giving each other little bits of encouragement and feedback and thoughts, I think that's an incredibly rich experience because what it does is it gives you a sense of community but also purpose. If I know I'm going to meet you in a cafe next Tuesday, I'm going to write something that I can hand to you. Discipline is such a challenge for so many writers and so I think that that's a key benefit of being in a group.

Of course some people manage to write books really young and publish really young. But for most writers, it takes several years because you have to apprentice yourself to the craft, and you also have to grow up. I think maturity is connected to one's ability to write well.

I think a lot of people have the idea of an editor being someone who comes in like a dictator, and says, "You can't have that scene." And it never is like that - or perhaps some editors are like that and they're assholes, and they're not good editors. A good editor actually says, "I respect you" and they understand that you have a vision and they're actually trying to help you realize it.

All of us, as we mature and grow up - if we're doing life right - we evolve.

The writing life doesn't move in a straight line. I've had successes and rejections all along the way, at every stage of my career, and I will continue to do so. Acceptances and rejections don't define me. They're both part of what it means to be a writer. My job is to simply keep doing the work.

I think being a woman alone enhanced the impulse in others to be generous. What we're told is that to be a woman alone is to be in a dangerous situation. The message is that people are gong to prey on you and do bad things to you. That may be true in some cases, but what I experienced was the other case.

It's funny, it never occurred to me that a movie star would play me. But now that she [Reese Witherspoon] is playing me, it's like, of course, it couldn't be anyone else! I don't know if you've seen pictures of Reese and me and Reese and my daughter Bobbi, who's named after my mother, and also plays me. There's a kind of resemblance.

If you want to read anything nasty about me, just go to the backpacker websites. There's this kind of elitist branch where they really believe that I had no business going backpacking.

I'm reading George Saunders's story collection, "Tenth of December." He was my mentor at the University of Syracuse. The stories are mind-blowing like everyone says.

When someone you love truly dies, you have to find them over and over again in the world, and I think you do that on a very psychic, unconscious level, and I think in some ways I was calling out to that spirit of my mother when I saw the fox. It doesn't surprise me it's in animals that I find my mother.

I actually don't have any fear of people reading Wild and going out unprepared. Because one of the best things that ever happened to me was that I went out unprepared. And when you really think about it, all I did wrong was that I took too much stuff, which is the most common backpacker mistake. The part that I wasn't prepared for is the part you can't prepare for.

You have to keep walking, no matter what. If you don't, it's a living death. You're just standing in one place dying.

So on one hand, because the wilderness was familiar to me, it really helped me be brave. But it still was scary sometimes. I had to say to myself: "Chances are, you're not going to be mauled by a bear."

Music. I could not go without that. My mind would not let me be without music. I hiked the trail in 1995 - before there were iPods or music on our cell phones or even cell phones. So I was truly out there with just my thoughts. After a few days there was a continuous loop of songs playing silently in my mind.

My family didn't go to church. Once when I slept over at the house of a friend, her parents brought me to Sunday school with her. I was given this little pamphlet of tiny poems about the natural world, about butterflies and sunsets. My 7-year-old self was so astounded by how these few words were creating pictures and feelings in me.

Obviously memoir is subjective truth: It is my memory, my perspective, that's the beauty. But I still wanted to be as factual as I could.

I really came to literature through poetry.