Chinua Achebe Quotes - Page 11

Nigeria has had a complicated colonial history. My work has examined that part of our story extensively.

What you must accept is that your life is not going to be the same while you are writing.

It is not quite true to say that I am not an advocate of writing in African languages. What I think is, one has to think about what is practicable.

I think writers are not only writers, they are also citizens.

I feel that the English language will be able to carry the weight of my African experience. But it will have to be a new English, still in full communion with its ancestral home but altered to suit new African surroundings.

Generally, I don't attempt to produce a certain number of words a day. The discipline is to work whether you are producing a lot or not, because the day you produce a lot is not necessarily the day you do your best work. So it's trying to do it as regularly as you can without making it - without imposing too rigid a timetable on your self. That would be my ideal.

A budding writer wants to be encouraged.

If I say look unless you change your leaders I will not give you any aid, you are likely to have people who say: "To the hell with you, we will struggle on the way but we will do it". Therefore what I am saying is - and I do not whether it is coming through clearly - there has to be a lot of care exercised by the people who are in the position to give or withhold assistance: if they start throwing their weight around, using extreme language, seeming to order other nations to do their bidding, then there will not be a good result, it will not be done.

I think the language that we use in dealing with one another is very important. And even if I am called upon to bring out some money to support a regime, and I am entitled to say I do not like what that regime does and obviously I am not going to put money there - you cannot really say this is wrong or this is unreasonable.

A man who lived on the banks of the Niger should not wash his hands with spittle.

Men had taken greater blows: that was what made a man a man. For did they not say that a man is like a funeral ram which must take whatever beating comes to it without opening its mouth; that the silent tremor of pain down its body alone must tell of its suffering?

I think Africa is slowly learning - and painfully - that importance of insisting on responsible leadership. It will come eventually, and we may be impatient and rightly so, because it is not coming fast enough. But that is the way to go.

When we hear a house has fallen do we ask if the ceiling fell with it?

If the economy of a country collapses completely and the hospitals are no longer able to function as hospitals, it will be very difficult to tell every doctor to stay home to work without drugs, to work without equipment. You might tell some to stay but there a lot of young people who are at the beginning of their careers who would be very difficult to persuade.

What has happened to Africa is very severe. We are talking about the collapse of this and the collapse of that, of good government, of the economy particularly. And this has hit education badly. The news you get from the universities in Nigeria is often appalling. I don't think a lot of it gets out. There is the obsession with cults and all kinds of dreadful things going on and all this is taking its toll and it is not surprising that quality of students and graduates who come out is not good. It will not be surprising if this shows in the quality of work they do.

I do not think that there need be the conflict between books and videos, that one would drive out the other. It certainly is possible to watch the screen for some things and for others to sit down and read, because the screen is easier to do, to watch is easier than to read because you don't have to contemplate anything. Someone else has done the work of putting it on the video.

The people you see in Nigeria today have always lived as neighbors in the same space for as long as we can remember. So it's a matter of settling down, lowering the rhetoric, the level of hostility in the rhetoric is too high.

Stories serve the purpose of consolidating whatever gains people or their leaders have made or imagine they have made in their existing journey thorough the world.

In my definition I am a protest writer, with restraint.

Some people flinch when you talk about art in the context of the needs of society thinking you are introducing something far too common for a discussion of art. Why should art have a purpose and a use? Art shouldn't be concerned with purpose and reason and need, they say. These are improper. But from the very beginning, it seems to me, stories have indeed been meant to be enjoyed, to appeal to that part of us which enjoys good form and good shape and good sound.

It always surprised him when he thought of it later that he did not sink under the load of despair.

In Nigeria, there is energy, whether it is Lagos, which is sheer anarchy, but it is not lethargic. It is strong, even aggressive and if that energy could be directed to work it will produce really enormous results.

But I liked Yeats! That wild Irishman. I really loved his love of language, his flow. His chaotic ideas seemed to me just the right thing for a poet. Passion! He was always on the right side. He may be wrongheaded, but his heart was always on the right side. He wrote beautiful poetry.

There are people who say that if you are told that your house has fallen you don't ask what about the ceiling or what about the windows. The main thing is that this house, Africa, has fallen. Literature is just one aspect, pick any aspect of the situation.

I was a supporter of the desire, in my section of Nigeria, to leave the federation because it was treated very badly with something that was called genocide in those days.