I'm looking for anything interesting in the guitar playing, songwriting, artwork, and production. If you look at the stack of CDs on my desk and in my car, you'll find a very wide range of music under the umbrella of metal.
As far as specific bands from the 90s death metal era, I love Death, Carcass, Possessed, Morbid Angel, Gorguts, Autopsy, Atheist, etc.
There are so many things that kept forcing metal back down to the underground. It survives everywhere on the planet.
We made basement practice songs.To have them presented in such a huge fashion today - like at Primavera, where it's thousands of people in a festival environment - is surreal. I never thought some of the songs would ever need to be projected at such a volume or to such a wide span of people.
People like a story that has a lot of blood, sweat and tears. But I don't think the Slint story really has that.
There are five of us. We've all played in various bands together, in different combinations. I know that Todd [Cook] and Tony [Bailey] are my favorite rhythm section - they're just like a unit. I guess we've all just played together in various capacities, so when the band was coming together, it was sort of like we just chose members because they had similar sensibilities and also because they're just cool. We all got along real well.
Most people found out about Slint in the mid or late 90s, but we were an '80s band. We started in 1986 and broke up at the end of 1990.
Louisville was also good place for being able to make whatever kind of music you wanted to. You didn't have to worry about renting a practice space or figure out when another band would be in there or worry about if your stuff is going to get stolen.