It's important for us to tell our stories.
You will never see a U-Haul behind a hearse.
Sometimes when you're the good guy, you're sort of trapped. "Oh, he can't say that." And even when you're playing a real person like a Steven Biko, you're sort of stuck within those confines. So yeah, bad guys do have more fun.
It was never my dream to be famous. I didn't start acting to be a movie star. I started in the theater and my desire was to get better at my craft. It's still my desire. I don't consider myself a movie star, nor do I really have the desire to be one. I'm just an entertainer. An actor who works hard at his craft. Whatever labels people give me, that's not really me or part of my process.
A sociopath will do anything to win. Anything.
It's not easy for me to admit that I've been standing in the same place for 18 years.
I'm selfish, I think. I think an artist has to be. I'm not worried about what people think. I play the parts that I find interesting. It'd bother me more to be just pigeonholed into doing what people think is ethical or that's boring to me. I don't pick parts with that in mind, I just find interesting stories. If it's interesting to me, then I do it.
I was first introduced to August Wilson in the 80s when Charles Dutton did Ma Rainey and James Earl Jones and Courtney Vance did Fences. I've long considered August Wilson to be one of the five greatest playwrights in American history.
I'm not a big Hollywood star. I'm an actor. I'm called a star. That's not what I am. First of all I'm a human being; my profession is acting. People give you titles. They say you're an up and coming star, then they say you're a star, then they say you're a washed-up star. So I don't get caught up in what I'm called. My job, my profession, is acting.
There are films that I don't like, and then someone will come up to me and say it's their favorite movie. The movies belong to the people. You make them and you put them out. For me, I love the process of making films. For me, my favorite film is always my next one.
As an actor in the theater you're taught that you never play a bad guy. You have to love who you are. You can't say, "Oh, I'm a bad guy." How do you play that?
A part of me still says, 'Maybe, Denzel, you're supposed to preach. Maybe you're still compromising.' I've had an opportunity to play great men and, through their words, to preach. I take what talent I've been given seriously, and I want to use it for good.
The time to worrying about flying is when you're on the ground. When you're up in the air, it's too late. No point in worrying about it then.
I just do what I feel and what I like. I don't necessarily censor or feel an obligation to have a particular moral standard - I'm willing to wallow in the mud, if necessary. It appears as if there seems to be a consistency in result, but maybe that has as much to do with the roles I choose as it does with how I play them. I do what pleases me.
I work hard for the audience. It's entertainment. I don't need validation.
In my humble opinion, in the nuclear world, the true enemy is war itself.
We all are doing the best we can. I would like to say that I'm a walking poster board for feminism and women's liberation, but there are things that I do in my life that deeply, deeply fall short of being a statement for being a strong woman. I am flawed as much as anyone else.
Everybody has a job to do. There are people in Iraq on both sides of this war who do what they do for religious reasons, and they feel with God on their side. Some people are good at annihilating people. Maybe that's their gift.
I'm not a film buff. I don't watch a lot of movies.
I don't feel pressure, because I do what I want to do. I don't feel pressure at all. I've never done any movies because I thought this was what somebody wanted me to do. I'm a bit more, for lack of a better word, selfish than that. But like I say in the movie, you do what you have to do so that you can do what you want to do.
I even asked [Saniyya Sidney] why she wanted to be an actor and she said, "I'm serious about this. These other little kids they want to play, and I don't have time for that."
The only reason I'm acting in films I direct is to get the money to make them, quite frankly, it's not what I'm interested in doing.
Any good piece of material like Shakespeare ought to be open to reinterpretation.
Taking the money from drug operations and all that sort of stuff is something that goes past what most of us in society would expect a policeman should do. That temptation hits the police force at the same time as the temptation to take those drugs that are readily available hits the people on the streets.
There is nothing good or bad, except by comparison" (209) - "Effort is Everything" by Bud Selig
