I'm trying to steal from everybody. So yeah, there's cats that I'm personally affiliated with - Carl Franklin, Paul Thomas Anderson - and others that I don't know personally but their work I'm a big admirer of, like Martin Scorsese. But I'm hoping to come up with a language that is mine, that's specific to my take on this material.
Comedies are very hard to do. They are difficult. Unless there's the Judd Apatow school, where they're like okay, we know that, we're going to do those. Or unless it's something that's far to the other side.
So often when Black men have to play roles on TV, we're either the noble savage or we're completely a savage, and there's no nuance.
Once the steam engine went away and we started moving into burning fossil fuels - not just burning them, but everything we do with oil - we've been experiencing [these problems] at an accelerated rate. The scary end-game scenario is getting closer and closer, about what we're going to be able to do to sustain life on this planet as we have come to know it. And I think this is a very real possibility, that we could be dealing with conditions we have no idea how to wrestle with.
I prefer film to TV because of the amount of time film affords you that TV doesn't (though theater is probably my favorite and the scariest place of all).
Kids clearly help center you because you can't impress your kids. People are like, "Oh, are they so excited because you're Ironman?" My kids couldn't care less. They like it when I hang out and play dad. I impress them by playing video games with them and doing well. Your kids humble you.
I hate it when, by page 30, I know what the lead's going to do and then what the bad guy's gonna do. Mostly it's just scripts by the numbers where nothing's surprising, nothing's interesting.
