I have the infinite galaxy from '2001 as my screensaver - so if I space out while I'm writing and it goes to screensaver, I can just stare off into the stars.
Shooting at Quentin Tarantino movie was like a masterclass in directing. Although I went back literally right into rehearsal, started shooting... while I was doing it I had to write my Grindhouse trailer and I added two days of shooting. My brother was producing Hostel and the Grindhouse trailer and I was like: "Gabe, just figure this out!"
I have so many different projects, I hear voices in my head - the characters talking all at once - and I have to write to make them stop.
I've realized that I can't multitask in the writing department; I can only kind of do one thing at a time.
Creative writing and shooting are muscles that atrophy. But when you work them, you become a self-generator who can branch out.
I look at careers like Ben Stiller and think that's a great career to have where you're doing movies that you write and direct, and also act in films, although he's primarily an actor.
Once I got over the fear of writing female characters, it actually came quite easily and I was really happy with it. I just thought about girls I knew really, really well and I'd just have conversations with them and tried to relay how they talk about certain things.
You have to write scenes and design scenes that are scary and horrific, but that are also watchable. I didn't want people to just feel like they got punched in the stomach.