Let me tell you how the story ends, where the good guys die and the bad guys win. It doesn't matter how many friend you make, but the graffite they write on your grave.
You get caught up in a cycle at some point, so I broke the cycle and decided; I'm going to really write a lot of books, because I need to get in touch with that part of myself in order to make more music.
I was talking to Cecil [Castellucci], who writes Shade, and I was saying to her, and she was saying the same thing, that I'm not even the same person who wrote the first issue of Doom Patrol, and that was six months ago. I'm a totally different person now, already. It's weird to look back at stuff, but it's an honor that there's a legacy of people who still keep it in their heads. It's really cool!
I don't like to write a script unless I know who the artist is. A lot of people can do it without that, and that's cool, but I like to look at the art.
Sometimes it can be really exciting, but I avoid the blank page now. What I do is hand write everything. When you're hand writing, there's never a blank page, really. There's so much you can do with that.
I still write music, and I still have sessions, and I still record, but I have no plans.
Cecil Castellucci is writing Shade, who is the perfect writer for it. I love her young adult stuff, and it's pretty hardcore and visceral, so I knew she was going to bring that to the book.
The way I write is that, every time I reintroduced a character, I'd have to face some kind of inner demon.
Thinking visually is my starting point, and then the writing happens.
I start my process hand written, and then I dump it in. It's like you're getting a second draft 'cause when I put it in the computer, I fix it and change stuff. That's my process. I picked that up from speaking to Neil Gaiman and Joe Hill. I was messing around with the idea of starting to write more, writing a book and doing things like this, and I reached out for advice. They were like, "Oh, we hand write, and then we dump it all in." I was like, "Great! There's no more blank pages."
Jody Houser, who writes Mother Panic, has this noir-ish superhero style. She's very adaptable.
I have so many books to write now. So I'll write from home. Sometimes I'm writing in the office too, in my cubicle. It looks like a mess. It doesn't look like anybody uses the spot.
