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Henry James Quotes about Pain

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You think too much.' 'I suppose I do; but I can’t help it, my mind is so terribly active. When I give myself, I give myself. I pay the penalty in my headaches, my famous headaches--a perfect circlet of pain! But I carry

You think too much.' 'I suppose I do; but I can’t help it, my mind is so terribly active. When I give myself, I give myself. I pay the penalty in my headaches, my famous headaches--a perfect circlet of pain! But I carry it as a queen carries her crown.

Henry James
Queens, Pain, Thinking
Henry James (2015). “Washington Square (Unabridged): Satirical Novel from the famous author of the realism movement, known for Portrait of a Lady, The Ambassadors, The Princess Casamassima, The Bostonians, The American…”, p.85, e-artnow

I don't care about anything but you, and that's enough for the present. I want you to be happy--not to think of anything sad; only to feel that I'm near you and I love you. Why should there be pain? In such hours as this what have we to do with pain? That's not the deepest thing; there's something deeper.

Henry James
Pain, Love You, Thinking
Henry James (2015). “The Complete Novels of Henry James: The Portrait of a Lady + The Wings of the Dove + What Maisie Knew + The American + The Bostonian + The Ambassadors + Washington Square and more (Unabridged): Confidence + Roderick Hudson + The Awkward Age + The Europeans + The Golden Bowl + The Other House + The Outcry + The Princess Casamassima + The Reverberator + The Sacred Fount….”, p.2844, e-artnow

No themes are so human as those that reflect for us, out of the confusion of life, the close connection of bliss and bale, of the things that help with the things that hurt, so dangling before us forever that bright hard medal, of so strange an alloy, one face of which is somebody's right and ease and the other somebody's pain and wrong.

Henry James
Hurt, Pain, Confusion
Henry James, William Veeder, Susan M. Griffin (1986). “The Art of Criticism: Henry James on the Theory and the Practice of Fiction”, p.318, University of Chicago Press

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