If you never fall in love with your character, you'll never be able to do that character justice. No matter who it is, no matter what the character does, you have to find the reason for it. Everyone's got a reason for what they do, even if it's a reason that they're not proud of.
Sometimes you have to go places with characters and emotions within yourself you don't want to do, but you have a duty to the story and as a storyteller to do it.
When I made 'Real Steel,' the director actually had the robots in the monitor, so he knew where everything was. So technically, there's been advancements. But at the end of the day, movies are about story and characters, so all the other stuff is great, but unless you have those two elements, then you've got nothing.
If I weren’t getting paid or didn’t have a character like Wolverine to maintain, I would just be a tall, lean, fit guy.
Comic book fans have loved Wolverine, and all the 'X-Men' characters, for more than the action. I think that's what set it apart from many of the other comic books. In the case of Wolverine, when he appeared, he was a revolution really. He was the first anti-hero.
Wolverine was created in the '60s, but he feels like a '70s character in every way. More Dirty Harry, more politically incorrect, the hair, the mutton chops.
I think one of the things I always loved about the comics was this idea that this character, when he goes berserk, that white, blind rage makes him incredibly powerful, but it's also a great flaw. It's almost like he loses consciousness of what he's doing. During that he can do great damage.
