The only pressure I feel is to write good books. And to not replicate the previous book. Whether you have a thousand readers or a million readers it doesn't change the pressure. I never feel tempted to give the reader what I think the reader wants.
For me, the best places to write are on planes, trains and at airports. Not hotel rooms but hotel lobbies. I'm really happy when I'm waiting for a plane and the message comes that it's three hours late. Great, I'll get to write!
When you're an established name, you know that a children's book will have a pretty good chance of getting picked up. Like Madonna. It's not that I had this great idea. Actually, in my case, it was a great idea.
When I propose a candidate for a job I don't do it because the person in question is the best but because he is the one the client will employ. I provide them with a head that is good enough, placed on a body they want. [...] The world is full of people who pay serious money for bad pictures by good artists. And mediocre heads on tall bodies.
I've been watching more American TV because of all the great TV series that have come out in the last five to 10 years. I'm a 'Sopranos' fan, I'm a 'Wire' fan, I'm a 'Mad Men' fan. I'm a 'Deadwood' fan. It makes me optimistic for the future of storytelling on TV that producers are willing to take that kind of jump.
You get spoiled as a novelist because you get to be the director and the editor, and you play all the parts, but as a screenwriter, you are a bit down the ladder.
I write something that I believe I've made up, and it's only when a friend later points it out to me that I realise I've been writing about myself again.
When you go visiting countries, you start reading the history of the place and you start getting into the culture, and then you have to leave. In my experience, all countries have hidden treasures.
My father grew up in Brooklyn, N.Y., with my grandparents. In Norwegian my name is pronounced 'Yoo' but my father used to call me 'Joe.'
In most sports, your brain and your body will cooperate... But in rock climbing, it is the other way around. Your brain doesn't see the point in climbing upwards. Your brain will tell you to keep as low as possible, to cling to the wall and not get any higher. You have to have your brain persuading your body to do the right movements.
At nineteen I was pretty sure I was going to be a professional soccer player. At that time I played for one of the Norwegian premier leagues. But I tore ligaments in both knees, so I started studying business administration and economics and became a financial analyst, and I worked at a brokerage firm as a stockbroker.
I have to feel that I'm going somewhere all the time. By definition, if you have this urge to go places, then you can't be 100 percent happy where you are. It's not like I enjoy being miserable for weeks on end. But I think it's good to be miserable for about one day every third week - that's ideal for me.
I have questioned myself about the brutality in the last few novels. Actually in The Leopard, in hindsight, I feel I went a little bit too far with screaming blood. There are a couple of scenes that I regret and wish I had the chance to rewrite. Phantom has less blood.
Not even the brightest future can make up for the fact that no roads lead back to what came before - to the innocence of childhood or the first time we fell in love.
I feel more related to some American crime writers than I do to Stieg Larsson.
Ever since the '70s, Maj Sjowall and Per Wahloo were the godfathers of Scandinavian crime. They broke the crime novel in Scandinavia from the kiosks and into the serious bookstores.
I wasn't that into crime novels at all, but a friend introduced me to the work of Jim Thompson - I loved all his books.
All my friends who wanted to write had got nowhere trying to write the great European novel. So I deliberately steered clear of that and set out to write something story-led.
I don't think I'll ever feel as famous or as popular as I felt when I was a 17-year-old soccer player in Modle. Only about 20,000 people live there and 12,000 of them come to every game. Running onto the pitch each week was just the most fantastic feeling. Nothing can beat that.
All interesting heroes have an Achilles heel.
Thanks to the success of Henning Mankell and Peter Hoeg, there wasn't the same stigma attached to writing genre thrillers in Scandinavia as there was in many other cultures. Quite the opposite, in fact.
For many years, it seemed as if nothing changed in Norway. You could leave the country for three months, travel the world, through coups d'etat, assassinations, famines, massacres and tsunamis, and come home to find that the only new thing in the newspapers was the crossword puzzle.
I was sleeping in a water bed for a couple of years, recommended by my doctor. I was never comfortable in that water bed. In the middle of the night you would hear something happening - water and bubbles. I would always think there was some intelligent life in the water bed.
I think I was righteous. I saw myself as the good guy in my own movie. I didn't get into many fights when I was younger, but when I did, they were righteous. I always thought I was defending something good. I fought for friends who couldn't fight for themselves. I was still being selfish and arrogant, but I was focused on what was fair and unfair.
Some artists see a gig as an audience worshipping them. I think it is about having a great time together. I have a part as the singer. An audience has a part. Playing a gig doesn't make me high on myself.
