John Fowles Quotes - Page 5

That is the great distinction between the sexes. Men see objects, women seetherelationship between objects? It is an extra dimension of feeling which we men are without and one that makes war abhorrent to all real women?and absurd.

Most marriages recognize this paradox: Passion destroys passion; we want what puts an end to wanting what we want.

Between skin and skin, there is only light.

The bowed head, the buried face. She is silent, she will never speak, never forgive, never reach a hand, never leave this frozen present tense. All waits, suspended. Suspended the autumn trees, the autumn sky, anonymous people. A blackbird, poor fool, sings out of season from the willows by the lake. A flight of pigeons over the houses; fragments of freedom, hazard, an anagram made flesh. And somewhere the stinging smell of burning leaves.

He is solid; immovable, iron-willed. He showed me one day his killing bottle. I'm imprisoned in it. Fluttering against the glass. Because I can see through it I still think I can escape. I have hope. But it's all an illusion. A thick round wall of glass.

We talked for hours. He talked and I listened. It was like wind and sunlight. It blew all the cobwebs away.

Our present educational systems are all paramilitary. Their aim is to produce servants or soldiers who obey without question and who accepts their training as the best possible training. Those who are most successful in the state are those who have the most interest in prolonging the state as it is; they are also those who have the most say in the educational system, and in particular by ensuring that the educational product they want is the most highly rewarded.

When you draw something it lives and when you photograph it it dies

An easterly is the most disagreeable wind in Lyme Bay — Lyme Bay being that largest bite from the underside of England's outstretched southwestern leg — and a person of curiosity could at once have deduced several strong probabilities about the pair who began to walk down the quay at Lyme Regis, the small but ancient eponym of the inbite, one incisively sharp and blustery morning in the late March of 1867.

His statement to himself should have been, 'I possess this now, therefore I am happy', instead of what it so Victorianly was: "I cannot possess this for ever, and therefore am sad."

It came to me…that I didn’t want to be anywhere else in the world at that moment, that what I was feeling at that moment justified all I had been through, because all I had been through was my being there. I was experiencing…a new self-acceptance, a sense that I had to be this mind and this body, its vices and its virtues, and that I had no other chance or choice.

You're not me. You can't feel like I feel." "I can feel." "No you can't. You just choose not to feel or something and everything's fine." "It's not fine. It's just not so bad.

Ask me to marry you." "Will you marry me?" "No.

If anything might hurt her, silence would; and I wanted to hurt her.

I don't think the English like me. I sold a colossal best seller in America, and they never really forgave me.

I suppose I'd had, by the standards of that pre-permissive time, a good deal of sex for my age. Girls, or a certain kind of girl, liked me; I had a car-not so common among undergraduates in those days-and I had some money. I wasn't ugly; and even more important, I had my loneliness, which, as every cad knows, is a deadly weapon with women. My 'technique' was to make a show of unpredictability, cynicism, and indifference. Then, like a conjurer with his white rabbit, I produced the solitary heart.

The great majority of modern third-person narration is "I" narration very thinly disguised.

If you forget everything else about me, please remember this. I walked down that street and I never looked back and I love you. I love you. I love you so much that I shall hate you for ever for today.

Like all mystics (and many novelists, not least the present one) he is baffled, a child, before the real now; far happier out of it, in a narrative past or a prophetic future, locked inside that weird tence grammar does not allow, the imaginary present.

Whatever sympathy I feel towards religions, whatever admiration for some of their adherents, whatever historical or biological necessity I see in them, whatever metaphorical truth, I cannot accept them as credible explanations of reality; and they are incredible to me in proportion to the degree that they require my belief in positive human attributes and intervenient powers in their divinities.

Hazard has conditioned us to live in hazard. All our pleasures are dependent on it. Even though I arrange for a pleasure, and look forward to it, my eventual enjoyment of it is still a matter of hazard. Wherever time passes, there is hazard.

I think it is interesting that we have come back to star- and space ships. Jet will do for a transport shorthand; yet when man really reaches, across the vast seas of space, he still reaches in ships.

Duty is but a pot. It holds whatever is put in it, from the greatest evil to the greatest good.

Content is a word unknown to life; it is also a word unknown to man.

Baseball and cricket are beautiful and highly stylized medieval war substitutes, chess made flesh, a mixture of proud chivalry and base-in both senses-greed.