John Ruskin Quotes - Page 6
'Lectures on Architecture and Painting' (1853) 61, addenda
"A Joy for Ever". Book by John Ruskin, note 6, 1857.
One of the worst diseases to which the human creature is liable is its disease of thinking.
John Ruskin (1872). “The Political Economy of Art: Being the Substance (with Additions) of Two Lectures Delivered at Manchester, July 10th and 13th, 1857”, p.114
William Makepeace Thackeray, John Henry Newman, Matthew Arnold, John Ruskin, Walter Bagehot (1910). “Essays, English and American: With Introductions and Notes”
John Ruskin, Louisa Caroline Tuthill (1859). “The True and the Beautiful: In Nature, Art, Morals, and Religion”, p.141
John Ruskin, David Carrier, Walter Pater, Adrian Stokes (1997). “England and Its Aesthetes: Biography and Taste”, p.31, Psychology Press
John Ruskin (1858). “The Stones of Venice”, p.41
John Ruskin (19??). “Works: The laws of Fésole. A joy forever. Our fathers have told us. Inaugural address. Modern painters,v.1”
Mountains are the beginning and the end of all natural scenery.
Modern Painters vol. 4, pt. 5, ch. 20 (1856)
John Ruskin (1849). “The Seven Lamps of Architecture”, p.40
John Ruskin (1873). “The Ethics of the Dust: Ten Lectures to Little Housewives on the Elements of Crystallisation”, p.132
John Ruskin (1872). “The Two Paths: Being Lectures on Art, and Its Application to Decoration and Manufacture, Delivered in 1858-9”, p.38
John Ruskin (1873). “Pt. 6-9 of leaf beauty. of cloud beauty. of ideas of relation”, p.4
The higher a man stands, the more the word vulgar becomes unintelligible to him.
John Ruskin (1888). “Modern Painters (Complete)”, p.798, Library of Alexandria
"Fors Clavigera: Letters to the Workmen and Labourers of Great Britain".
The noble grotesque involves the true appreciation of beauty.
John Ruskin (1853). “The Stones of Venice: The fall”, p.160
John Ruskin, John D. Rosenberg (1964). “The Genius of John Ruskin: Selections from His Writings”, p.91, University of Virginia Press
Better the rudest work that tells a story or records a fact, than the richest without meaning.
'The Seven Lamps of Architecture' (1849) ch. 6 'The Lamp of Memory' 7