Jonah Hill Quotes - Page 4

I've learned through experience of playing different characters, some of whom were jerks, that when you play a character who is pretentious or obnoxious, in any way, it's important to knock them down a peg.

I think it's kind of strange when people talk about how hyped-up the movie is. It almost sets you up for a bigger fall.

'Allen Gregory' came about because we wanted an animated show and we were just tossing around some ideas about me playing a 7-year-old. We thought that would be cool, because we couldn't do that in real life.

Stanley Kubrick made Shelly Duvall go crazy during 'The Shining.' It's like one of the best performances ever. Maybe he shouldn't have gone that far, but I love that movie.

A whole generation was raised to learn about comedy from The Simpsons. To get to be in a booth with Homer and Marge and be in Springfield - it was unimaginable the emotions that I felt.

I'm a big hip hop fan.

I would never remake something that was like "The Godfather." Things that are truly important to me, I could never remake or reboot, or whatever.

I learn a lot from every director that I work with. I sit on set and watch them, every one.

I just like to act and write and produce. To me, making movies is the ultimate goal.

I grew up in the '80s in L.A., so Ice Cube and Magic Johnson are my heroes.

I am a filmmaker fanatic. I have never been star-struck by an actor once in my entire life.

I really care about this stuff, I care about movies, and you just have to be strong and don't be stupid; freedom of choice is a big responsibility, and I'm lucky enough not to have to just take any movie to pay the rent, so there's no need to be greedy.

'Funny People' is my favorite performance of myself to date. Even though it's a comedy and there are serious moments, I really felt like Leo felt like a real person. It didn't feel like I was playing myself. Whether it's a comedy or drama, I just try to make it as realistic as possible.

It's always better to shock people and change people's expectations than to give them exactly what they think you can do. It's not unexpected for me to be in a comedy film anymore; I'm no longer the underdog in that world. Not that I'm great or good at it or anything, it's just that I've done a bunch of them, so you're not shocked.

My heroes are Bill Murray and Dustin Hoffman. Those are the two actors that both do comedies and dramas, seamlessly. Also John C. Reilly and Philip Seymour Hoffman. They're all just great actors, neither comedic nor dramatic. They're just great actors.

I'm too judgmental of other people putting themselves out there in any way, I guess.

Sometimes what happens I think is that actors finish a movie and they go, oh my god, I'm never going to work again, even big huge actors, and so they'll take something thinking that something else will never come along. But for me, I freak out - because I'm a bit of a workaholic - the second I finish a movie going oh my god, what am I going to do, but I can start writing the next day so it doesn't force me to make a bad choice acting-wise.

There are a lot of things going into making a movie. So many things can go wrong. So many people that need to show up and bring their "A" game. If one thing is out of place, the whole movie can fall apart.

When I was growing up, my parents asked me what I wanted to do, and I said that I wanted to live in Springfield. They were like, "Well, that's not how it works. There is an actor who play Homer, and someone who writes what Homer says." So, I was like, "Well, I want to write what Homer says."

I mostly make R-rated movies. To make a movie that one day if I have kids or my nephews want t watch, I can show them without being put in prison. It would be really nice.

I'm really proud of 'Moneyball.' To me, it's about feeling pride in a movie I made. I think when I'm an old man I'll be able to show it to my grandkids with pride. That's all I can really go for: making movies to please me.

The great thing about 'Allen Gregory' is that we try to make it really questionable that the things he says have happened, have really happened. We like that ambiguity.

When I first met the world, basically, or introduced myself to people, I was in 'Superbad,' and I feel the same way I felt promoting 'Superbad' in an underdog style that I feel promoting 'Moneyball.'

When a movie like 'Superbad' or 'Moneyball' comes out, people make you feel like you're the most important person on the planet. The truth is, you're a billion percent not the most important person on the planet. It's all insulated in your world and no one could care less. It's just a movie.

Once you make a movie like 'Superbad,' when it's popular and you're the lead, you get offered all kinds of things and there's a temptation to make bad movies either for the money or to maintain your relevance in pop culture.