I don't think of Storefront Hitchcock or Stop Making Sense as documentaries, I think of them more as performance films.
I was a sort of rock journalist - whatever that is - in London in the late '60s.
Every film deserves its own unique look.
I'm of Neil Young's generation. Neil Young's songs have spoken to what it's like to be at least a white male of his generation over the years. Endlessly, he's sung about the stuff that I really care about. He's put into words the feelings that hit you at different transitional moments in life.
I remember the Neil Young brand hitting me very hard immediately. He wasn't an acquired taste. I loved him immediately.
As much as I love acoustic Neil Young - and I do deeply - I may be more passionate about the electric. Luckily it's not a contest, and we never have to make that choice. But Neil Young on an electric guitar - I feel like I've never seen or heard anything like it.
I love the idea of documentaries. I love seeing documentaries, and I love making them. Documentaries are incredibly easy to shoot. The ease with which you can hear something's going on, somebody's going to be somewhere: That sounds so interesting. Pick up your camera and go.
