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Joseph Addison Quotes about Art

All Joseph Addison Quotes Affection Age Ambition Appearance Art quotes Atheism Beauty Bravery Character Children Community Compassion Contentment Country Courage Criticism Critics Death Design Desire Destiny Earth Education Enthusiasm Eternity Evil Exercise Fame Fate Flattery Friends Friendship Funny Genius Giving Glory God Gold Gratitude Greatness Grief Happiness Health Heart Heaven Honesty Honor Hope Human Nature Humanity Humility Husband Imagination Imperfection Innocence Inspirational Inspiring Judgment Justice Kindness Knowledge Laughter Liberty Life Life And Death Literature Losing Love Lying Mankind Marriage Modesty Morality Mountain Music Nature Opportunity Pain Passion Perfection Philosophy Plato Praise Prejudice Pride Prosperity Quality Reading Religion Running Safety Satire Science Serenity Silence Sorrow Soul Success Suffering Sunshine Talent Time Tragedy Understanding Violence Virtue War Weakness Wine Wisdom Wit Work Writing

Those who were skillful in Anatomy among the Ancients, concluded from the outward and inward Make of an Human Body, that it was the Work of a Being transcendently Wise and Powerful. As the World grew more enlightened in

Those who were skillful in Anatomy among the Ancients, concluded from the outward and inward Make of an Human Body, that it was the Work of a Being transcendently Wise and Powerful. As the World grew more enlightened in this Art, their Discoveries gave them fresh Opportunities of admiring the Conduct of Providence in the Formation of an Human Body.

God, Wise, Art

Joseph Addison, Sir Richard Steele (1832). “The British Essayists: Containing the Spectator, with Notes and General Index, and the Tatler and Guardian, with Notes and General Index”

The ways of heaven are dark and intricate, Puzzled in mazes, and perplex'd with errors; Our understanding traces them in vain, Lost and bewilder'd in the fruitless search; Nor sees with how much art the windings run, Nor where the regular confusion ends.

Running, Art, Dark

Joseph Addison (1868). “The Works of Joseph Addison”, p.481

Our delight in any particular study, art, or science rises and improves in proportion to the application which we bestow upon it. Thus, what was at first an exercise becomes at length an entertainment.

Art, Exercise, Science

Joseph Addison, Sir Richard Steele (1854). “The Spectator: With a Biographical and Critical Preface, and Explanatory Notes ...”, p.371

It happened very providentially, to the honor of the Christian religion, that it did not take its rise in the dark illiterate ages of the world, but at a time when arts and sciences were at their height.

Christian, Art, Dark

Joseph Addison (1812). “The evidences of the Christian religion: with additional discourses on the following subjects, viz: Of God, and his attributes. The power and wisdom of God in the creation. The providence of God. The worship of God. Advantages of revelation above natural reason. Excellency of the Christian institution. Dignity of the Scripture language. Against atheism and infidelity. Against the modern free-thinkers. Immortality of the soul, and a future state. Death and judgment”, p.46

Nature has laid out all her art in beautifying the face; she has touched it with vermilion, planted in it a double row of ivory, made it the seat of smiles and blushes, lighted it up and enlivened it with the brightness of the eyes, hung it on each side with curious organs of sense, given it airs and graces that cannot be described, and surrounded it with such a flowing shade of hair as sets all its beauties in the most agreeable light.

Art, Eye, Light

Joseph Addison, Sir Richard Steele (1853). “The Spectator”, p.43

Music can noble hints impart, Engender fury, kindle love, With unsuspected eloquence can move, And manage all the man with secret art.

Music, Art, Moving

Joseph Addison (1868). “The Works of Joseph Addison”, p.425

It is impossible for us, who live in the latter ages of the world, to make observations in criticism, morality, or in any art or science, which have not been touched upon by others. We have little else left us but to represent the common sense of mankind in more strong, more beautiful, or more uncommon lights.

Beautiful, Strong, Art

Joseph Addison, Richard Steele (1854). “The Spectator”, p.306

There is sometimes a greater judgement shewn in deviating from the rules of art, than in adhering to them; and?there ismore beauty inthe works of a great genius who is ignorant of all the rules of art, than in the works of a little genius, who not only knows but scrupulously observes them.

Art, Judgement, Ignorant

'The Spectator' no. 592, 10 September 1714.

Musick is certainly a very agreeable Entertainment, but if it would take the entire Possession of our Ears, if it would make us incapable of hearing Sense, if it would exclude Arts that have a much greater Tendency to the Refinement of human Nature; I must confess I would allow it no better Quarter than Plato has done, who banishes it out of his Common-wealth.

Music, Art, Plato

Joseph Addison (1867). “The Works of Joseph Addison: Including the Whole Contents of Bp. Hurd's Edition, with Letters and Other Pieces Not Found in Ay Previous Collection; and Macaulay's Essay on His Life and Works”, p.65

There is a great amity between designing and art.

Art, Design, Amity

Music, among those who were styled the chosen people, was a religious art.

Music, Religious, Art

Joseph Addison, Sir Richard Steele (1854). “The Spectator: with a biographical and critical preface, and explanatory notes”, p.254

The statue lies hid in a block of marble; and the art of the statuary only clears away the superfluous matter, and removes the rubbish.

Art, Lying, Block

Joseph Addison, Sir Richard Steele (1853). “The Spectator”, p.82

We find the Works of Nature still more pleasant, the more they resemble those of art.

Art, Nature, Pleasant

Joseph Addison, Richard Hurd (1811). “The Works: In Six Volumes”, p.348

Music, the greatest good that mortals know, And all of heaven we have below. Music can noble hints impart, Engender fury, kindle love; 40 With unsuspected eloquence can move, And manage all the man with secret art. When Orpheus strikes the trembling lyre The streams stand still, the stones admire; The listening savages advance, The world and lamb around him trip The bears in aukward measures leap, And tigers mingle in the dance The moving woods attended as he played And Rhodope was left without a shade.

Music, Art, Moving

Joseph Addison, “A Song For St. CeCILIa's Day, At Oxford”

Let echo, too, perform her part, Prolonging every note with art; And in a low expiring strain, Play all the comfort o'er again.

Art, Play, Echoes

Joseph Addison, Henry George Bohn, Richard Hurd (1873). “The Works of the Right Honourable Joseph Addison: Letters. Second appendix, containing miscellanies and gleanings. Translations of Addison's Latin poems. Addison's Latin prose. Official documents. Addisoniana. General index”, p.535

The first race of mankind used to dispute, as our ordinary people do now-a-days, in a kind of wild logic, uncultivated by rule of art.

Art, Race, People

Joseph Addison (1854). “The Works of Joseph Addison: The Spectator”, p.560

The great art in writing advertisements is the finding out of a proper method to catch the reader's eye; without which, a good thing may pass over unobserved, or lost among commissions of bankrupt.

Art, Writing, Eye

Joseph Addison (1811). “The Works of the Right Honourable Joseph Addison”, p.401

A man that has a taste of music, painting, or architecture, is like one that has another sense, when compared with such as have no relish of those arts

Music, Art, Men

Joseph Addison, Richard Hurd, Henry George Bohn (1854). “The Works of the Right Honourable Joseph Addison: The Tatler and Spectator [no. 1-160”, p.414

Loveliest of women! heaven is in thy soul, Beauty and virtue shine forever round thee, Bright'ning each other! thou art all divine!

Art, Women, Soul Beauty

"Cato, A Tragedy". Play by Joseph Addison, 1713.

But in all despotic governments, though a particular prince may favour arts and letter, there is a natural degeneracy of mankind.

Art, Government, Letters

Joseph Addison, Sir Richard Steele (1852). “The Spectator”, p.327

A statue lies hid in a block of marble, and the art of the statuary only clears away the superfluous matter and removes the rubbish. The figure is in the stone; the sculptor only finds it. What sculpture is to a block of marble, education is to a human soul. The philosopher, the saint, or the hero,--the wise, the good, or the great man,--very often lies hid and concealed in a plebeian, which a proper education might have disinterred, and have brought to light.

Education, Wise, Art

Joseph Addison (1856). “The works of ... Joseph Addison, with notes by R. Hurd”, p.96

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