Junot Diaz Quotes - Page 6

Even if you didn't come from another country, the idea of how do you make a home somewhere new is common to anyone who's either going to college, shifting towns.

You know, I was a kid who had difficulty speaking English when I first immigrated. But in my head, when I read a book, I spoke English perfectly. No one could correct my Spanish. And I think that I retreated to books as a way, you know, to be, like, masterful in a language that was really difficult for me for many years.

New Jersey is to New York what Santo Domingo is to the United States. I always felt that those two landscapes, not only just the landscapes themselves but their relationships to what we would call 'a center' or 'the center of the universe,' has in some ways defined my artistic and critical vision.

[Donald] Trump is explained with the intersection of a number of things: our economic crisis, the way it's easier to blame immigrants, with the happenstance that he discovered that by bashing Latino immigrants and characterizing them as "rapists" and "murderers" and "scumbags," suddenly he's got this groundswell of support from a group of people who were raised on this vocabulary.

[The biggest disappointment is] that he [Barack Obama] deported everybody and their grandmother.

I was part of that group of kids growing up in the '80s under the Reagan regime, what I used to call 'living in the shadow of Dr. Manhattan,' where we would have dreams all the time that New York City was being destroyed, and that that wall of light and destruction was rolling out and would just devour our neighborhood.

Poor Oscar. Without even realizing it he'd fallen into one of those Let's Be Friends Vortexes, the bane of nerdboys everywhere. These relationships were love's version of a stay in the stocks, in you go, plenty of misery guaranteed and what you got out of it besides bitterness and heartbreak nobody knows. Perhaps some knowledge of self and women.

God bless perseverance. Because it's not easy.

I think what happened to me was that I was always being taught to look, but one day I started to see. And it was because a lot of women in my life were refusing just to be looked at, to be this passive figure.

I think that distance is good for some people for certain projects. I mean this is sort of a dynamic question. Some projects require more distance than others, some don't require it at all. Sometimes you need it and sometimes you don't.

This country has such little sense of itself sometimes, I'm astonished. America is one of the biggest myth-making countries, whether we're talking about how many books are published, how many movies we make. But the greatest myth of all is what America is.

When I was thinking about these women characters, no matter how bad a person I am - a bad writer, my limitations, my sexism, you know - the thought was, it would be useful as a writer to try to create a template for all the male writers, especially Dominican male writers, especially males of color, of how a writer can use seeing to create more nuanced representations of women.

For my first three books the setting (or place if you will) has always been a given - N.J. and the Dominican Republic and some N.Y.C. - so from one perspective you could say that the place in my work always comes first.

Stories are hard. I have friends who knock out stories on a weekly or monthly basis, like they're running on medicinal-strength Updike. But for me a story is as daunting a prospect as a novel.

I know for a fact that - it's just the way our biases work now in the industry of literature, but certainly a short story collection does not receive the same kind of attention as a novel.

The thoughts he put in her head. Someone should’ve arrested him for it.

When I write, what I long for is not more realism or fiction but more courage. That's what I always find myself short on and what I have to struggle to achieve in order that the work might live.

A first lesson in the fragility of love and the preternatural cowardice of men. And out of this disillusionment and turmoil sprang Beli's first adult oath, one that would follow her into adulthood, to the States and beyond. I will not serve.

She's sensitive, too. Takes to hurt the way water takes to paper.

On the outside, Oscar simply looked tired, no taller, no fatter, only the skin under his eyes, pouched from years of quiet desperation, had changed. Inside, he was in a world of hurt. He saw black flashes before his eyes. He saw himself falling through the air. He knew what he was turning into. He was turning into the worst kind of human on the planet: an old bitter dork. Saw himself at the Game Room, picking through the miniatures for the rest of his life. He didn't want this future but he couldn't see how it could be avoided, couldn't figure his way out of it. Fukú.

Each morning, before Jackie started her studies, she wrote on a clean piece of paper: Tarde venientibus ossa. To the latecomers are left the bones.

We get so many people saying short fiction is not economical, that it doesn't sell; but there are so many of us enjoying writing it and reading it. So it's wonderful to be around people who love short fiction too - it's like hanging around with my tribe.

My thing is, I'm just way too harsh. It's an enormous impediment, and that's just the truth of it. It doesn't make me any better, make me any worse, it certainly isn't more valorous. I have a character defect, man.

Migration gives a blank cheque to put anything you don't feel like addressing in the memory hold. No neighbours can go against the monster narrative of your family.

John Carter was also one of our first recognizable superhumans and there is little doubt that his extraordinary physical feats inspired Superman's creators. Remember: before Superman could fly or turn back time, he was nothing less than an earthbound crime-fighting John Carter in tights.