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Katherine Mansfield Quotes - Page 2

The truth is friendship is every bit as sacred and eternal as marriage.

The truth is friendship is every bit as sacred and eternal as marriage.

Katherine Mansfield (1996). “The Collected Letters of Katherine Mansfield: Volume IV: 1920-1921”, p.277, Clarendon Press

When we begin to take our failures non-seriously, it means we are ceasing to be afraid of them.

Katherine Mansfield, Margaret Scott (1997). “The Katherine Mansfield notebooks”

How idiotic civilization is! Why be given a body if you have to keep it shut up in a case like a rare, rare fiddle?

Katherine Mansfield (2016). “KATHERINE MANSFIELD Premium Collection: 160+ Short Stories & Poems (Literature Classics Series): The Complete Short Stories and Poetry of Katherine Mansfield: Bliss, The Garden Party, The Dove’s Nest, Something Childish, In a German Pension, The Aloe, Poems at the Villa Pauline, Child Verses...”, p.6, e-artnow

You are a Queen. Let mine be the joy of giving you your kingdom.

Katherine Mansfield (2013). “Delphi Complete Works of Katherine Mansfield (Illustrated)”, p.599, Delphi Classics

If only one could tell true love from false love as one can tell mushrooms from toadstools.

Katherine Mansfield (2013). “Delphi Complete Works of Katherine Mansfield (Illustrated)”, p.1032, Delphi Classics

I am poor - obscure - just eighteen years of age - with a rapacious appetite for everything and principles as light as my purse.

Brownlee Jean Kirkpatrick, Katherine Mansfield, Vincent O'Sullivan (1989). “Katherine Mansfield: selected letters”, Oxford University Press, USA

Who is to decide between 'Let it be' and 'Force it'?

Katherine Mansfield (1954). “Journal”

Bless you, my darling, and remember you are always in the heart - oh tucked so close there is no chance of escape - of your sister.

Katherine Mansfield, Vincent O'Sullivan, Margaret Scott (1984). “The Collected Letters of Katherine Mansfield: 1903-1917”, Oxford University Press, USA

The great thing to remember is we can do whatever we wish to do provided our wish is strong enough.

Katherine Mansfield, Vincent O'Sullivan, Margaret Scott (2008). “The Collected Letters of Katherine Mansfield: 1922-1923”, Oxford University Press, USA

But one day we shall be rich, and the next poor. One day we shall dine in a palace and the next we'll sit in a forest and toast mushrooms on a hatpin.

Katherine Mansfield (2016). “KATHERINE MANSFIELD Premium Collection: 160+ Short Stories & Poems (Literature Classics Series): The Complete Short Stories and Poetry of Katherine Mansfield: Bliss, The Garden Party, The Dove’s Nest, Something Childish, In a German Pension, The Aloe, Poems at the Villa Pauline, Child Verses...”, p.527, e-artnow

I'm a writer first and a woman after.

Katherine Mansfield (1951). “Letters to John Middleton Murry, 1913-1922”

What can you do if you are thirty and, turning the corner of your own street, you are overcome, suddenly, by a feeling of bliss - absolute bliss - as though you'd suddenly swallowed a bright piece of that late afternoon sun and it burned in your bosom, sending out a little shower of sparks into every particle into every finger and toe?

Katherine Mansfield (2016). “KATHERINE MANSFIELD – The Ultimate Short Stories & Poetry Collection: 100+ Titles in One Volume (Literature Classics Series): Prelude, Bliss, At the Bay, The Garden Party, A Birthday, Poems at the Villa Pauline, Child Verses and many more”, p.7, e-artnow

Do you remember your childhood? I am always coming across these marvelous accounts by writers who declare that they remember 'everything.' I certainly don't. The dark stretches, the blanks, are much bigger than the bright glimpses. I seem to have spent most of my time like a plant in a cupboard.

Katherine Mansfield (2016). “KATHERINE MANSFIELD Premium Collection: 160+ Short Stories & Poems (Literature Classics Series): The Complete Short Stories and Poetry of Katherine Mansfield: Bliss, The Garden Party, The Dove’s Nest, Something Childish, In a German Pension, The Aloe, Poems at the Villa Pauline, Child Verses...”, p.566, e-artnow