I think lines are meant to be crossed anyways. The entire time I was singing on the cross, there's numbers flipping over my head. You know, starting at one and going up to 12 million.
My favorite scene that I ever filmed was singing "Don't Cry For Me Argentina" from the balcony of the Casa Rosada in Argentina [where the real Eva Peron once stood] during Evita. That was amazing. SO real and surreal. Bizarre.