Marjane Satrapi Quotes - Page 6

As a director, you have to understand what is happening - if I don't understand it, you can't make changes.

George W.Bush can go and kill thousands of Iraqis every day. By making people believe they are the enemy, and not human beings any more. If evil has an address, a nationality, you can exterminate all of them. This is fascism.

Any medium can only live up to the strengths of the people working in it. If it's been used to tell bad or boring stories, it's not a problem with comics; it's a problem with the writers of those comics.

You see a picture and you understand perfectly, immediately, the basic thing that's happening. It's probably more accessible because we are in a culture of images. People are used to seeing stories that way. They understand looking at pictures.

A cat can never be well-trained because they're too independent.

I loved Chiara Mastroianni voice, her talent, her generosity. We rehearsed for two months...She's a workaholic and perfectionist, like Vincent [Paronnaud] and myself.

Words also are filters. They have to be translated. Even in the original language, there is interpretation and some ambiguity. If there's a cultural difference between the writer and the reader, that might come out in words. But with pictures, there's more efficiency.

I almost don't know how to write an email.

A well-trained cat doesn't exist because a cat remains a cat.

But violence is news, to a certain extent, and people don't want complicated news. Because as soon as you realize things are complicated, your life becomes more complicated.

I wrote the plot [for the Persepolis ]and Vincent [Paronnaud] and I wrote and discussed the shooting of the script. Vincent then took care of the production design, the actual shooting, and what was going on within each scene. It's very difficult, though, to draw a line between who did what. Because Vincent would say something, and I would add something, and at the end you have this film, yet no clear idea of who did what.

We always say we are equal in front of death, but when you are rich, for example, and you have everybody taking care of you, I think that you suffer much less. It must be much more painful to die when you are poor than when you are rich. But when your heart is broken, you can be rich, poor, whatever - a broken heart, we are all equal in front of it. And I think there is no subject more serious.

There's this scene in "The Night of the Hunter" when the kids are downstairs, and you have the feeling that they're both in a room and at the same time it looks remote. And you wonder, How can you give the effect of both "inside" and "outside" at the same time. And you realize, by watching it many times, that around the scene there's this black edging.

In a place like Israel, they're very concerned with Iran, so there's a lot of interest. So they want to see what this Iranian from France has to say in her comics. I guess that's good. My the books are coming out in other countries. And each time, they discover something different to be interested in.

Here [in the USA], you have the best laws for freedom of expression. The problem is that expression can be bought by people who don't want you have it. Apparently, true patriotism destroys freedom of expression.

I'm not somebody that keeps the thing in her heart. I can get very angry for five minutes, but then it's finished. Once I've yelled, it's over.

I think the best work of the director is to listen to what all the technicians around him have to say, but then the thing is to take the best decision, what you think is the best. Then, that is the moment where you have to have all the film in your head and imagine how all of that will fit together.

Of course, when you remember your life, you never remember anything in a chronological way. You always have pieces of memories, and some of these memories are full of details and very colorful. Some of them you just see the action and it's completely blank.

I realized that I was more of a sprinter than a marathon man. With a long, long project, I get bored easily.

Business is very personal. For me, everything is extremely personal. With actors, the fact that I write helps, because when you say to an actor "Oh I want you to do it a little bit more ...," without saying what you want more of, then the actor doesn't know what to do. But if you can put into words exactly what you want, then the experience of writing is helpful with that.

I chose the actors that I was in love with. I cannot work with people that I don't personally like a lot. They can be the best actor in the world, but if the first contact is not good, if I don't fall in love with them, then I don't want to work with them. It's impossible.

I was a child who had a life, who had hopes, and I wished that a bomb would not fall on my head.

I try to look at life carefully and reproduce life the way life is. It's a question of looking carefully at how it is. In life, you don't have total happiness. People always say that. But you don't have total sadness either, no matter what situation you are living in.

I wanted to make a real love story with a bad ending, because a love story that ends good is the life of everyone - you and I, for example. I always say to people, You know, if Romeo and Juliet got married, nobody would care about them. Imagine Romeo and Juliet, six kids yelling, mama, mama, papa, papa.

I like making comics and animation because it takes such a long time. I'm not a runner of the 100 meter. I like marathons. The longer it takes, the better I feel.