I felt like the script [of "I Don't Feel at Home in This World Anymore"] was so clear. It was sort of packed full of information. [Macon Blair] puts in a lot of discussion in the script. Characters are introduced very thoughtfully. The way he described walking into particular environments was very specific.
There's a rhythm to script [ in "I Don't Feel at Home in This World Anymore"], as well, especially the pacing of it. But there definitely were times when I would say something and [ Macon Blair] would say, "I didn't think to deliver it like that" or, "I didn't think it had that meaning." And he'd say, "I like it. I think it's good." So he's open. He's not battering it into you.
I think there's so many little specific things in the script [of "I Don't Feel at Home in This World Anymore"]. And the script was also structured so beautifully that I didn't want to mess with it.
I'm pretty active, so I wasn't really worried [about filming "I Don't Feel at Home in This World Anymore" ]. But there was a day when I was like, "God, I've been rowing for two hours."
Even just reading "I Don't Feel at Home in This World Anymore,"I got a sense of the world and the story [Macon Blair] wanted to tell. And then I had a meeting with him and understood how he likes to work. I really trusted him from the beginning.
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