If white and black and red and brown can come together to focus our energies on overcoming the racial malaise that persists, then this will have been a great moment.
It's not enough to be against something.
I went to the library and began to read some stuff on my own. My discovery of James Baldwin was life-changing. I read Go Tell It on the Mountain first, and that was hugely impactful.
I don't think you can bury words. I think the more you try to dismiss them, the more power you give to them, the more circulation they have.
I'm nervous about the prospects of an America that refuses to abide by its best conscience and its best lights and its best angels.
White supremacy is the conscious or unconscious belief or the investment in the inherent superiority of some, while others are believed to be innately inferior. And it doesn't demand the individual participation of the singular bigot. It is a machine operating in perpetuity, because it doesn't demand that somebody be in place driving.
White-on-white crime is a devastation in America like so-called black-on-black crime. It's not black or white-on-white crime. It's proximity murder.
I received my calling and accepted it at around 18.
I didn't get to college until my 20s, because I was a young father on welfare and had to take all kind of jobs to support my young son. There's what frames my view on the topics I discuss on my shows, and the average person relates to that. No matter how many degrees I have now, I lived that life, and that comes through to the people watching.
Hip hop scholarship must strive to reflect the form it interrogates, offering the same features as the best hip hop: seductive rhythms, throbbing beats, intelligent lyrics, soulful samples, and a sense of joy that is never exhausted in one sitting.
Hip-hop has globalized a conception of blackness that has had a political impact, whether or not it had a political intent.
..And the same rapper who revels in a woman's finely proportioned behind may also speak against racism and on behalf of the poor, even as he encourages them not to look at hip-hop as their salvation.
Body piercing and baggy clothes express identity among black youth, and not just beginning with hip-hop culture. Moreover, young black entrepreneurs like Sean 'P. Diddy' Combs and Russell Simmons have made millions from their clothing lines.
Elvis [Presley] had a stepstool, if you will, to success because he came from the dominant culture. They identified with him. Michael Jackson had to come further and go deeper into the pit of possibility of American democracy and of cultural expression.
I suppose that I inherited the same vocabulary and world view as most black Christians do, most Christians in general, to be sure. It was heterosexist in the sense that it took the heterosexual orientation as the norm from which to start as the given. And everything that fell outside of that was not acceptable.
That is an extremely important role: how white brothers and sisters laterally spread knowledge, insight, and challenge in a way that white brothers and sisters will not hear it from a person like me, necessarily.
New Orleans invented the brown paper bag party - usually at a gathering in a home - where anyone darker than the bag attached to the door was denied entrance. The brown bag criterion survives as a metaphor for how the black cultural elite quite literally establishes caste along color lines within black life.
We need all the newfangled web-based Internet spread, you know, social media that can catalyze, you know, some serious consciousness about what's going on. But we also need people on the streets pounding the pavement to make a significant and dramatic appearance to suggest that what's going on here is unacceptable.
I have no interest in romanticizing poor black people, having been one of them myself in our beloved hometown of Detroit.
I'm not trying to say stop Donald Trump from being elected as his party's nominee. I'm saying that we have a responsibility to raise our voices, to say what he does as an American citizen is pretty destructive to the practice of goodhearted and conscientious politics.
I went to a segregated school; I was born a Negro, not a black man.
I've written a lot of other books and this book [Tears we cannot stop] was different. I couldn't just say what I wanted to say in the same style that I said it in those other books. I felt compelled to preach.
My church is the world! I want to bring the gospel to as broad and as interesting an audience as possible.
I think that what Donald Trump is doing, the way in which racism, xenophobia, anti-Muslim belief and the like are being expressed through the campaign of Donald Trump, calls for, I think, a very vigorous and aggressive response to what he's saying.
When Dr. King was murdered, I had no idea who he was. But as soon as I heard his words on television that night when I was 9 years old, I was dumbstruck, awestruck by their power.