I just love feeling myself, and moving, flexing, jumping, expressing, dancing and doing movement. I'm in tune with it. I like to express myself with my body, more so than intellectually. But, I am a geek.
I was hanging out in gers [yurts] with these Kazakh sort of Bedouins. Drank nasty-ass camel milk. The drive [from the Souther Gobi to Ulan Bator] is insane. It's like The Road.
I don't like weak women and I don't find it interesting to play them. I'm inspired by them, when I see them in dramas, like with Natalie Portman, in almost every movie she's in. It's awesome that chicks can really go there, and it's beautiful to watch, but I don't think I'm interested, in any way, shape or form, in embodying those creatures.
I have absolutely nothing consistent in my life. But that's where serendipity comes in and I love that. One day I'm going to have to sacrifice that to bring life into the world. But the more I can hold off on that, the happier I'll be. It's scary for me.
People don't like talking about it, but if you're Spanish, you feel a weight.
I wanted to express myself. I wanted to be creative and I didn't want to worry about someone bossing me around in the process. You have to struggle no matter where you are to get to where you're going, so I'm like, working it honey!
I just want that unconditional love, the kind you get with a family member. You might get lucky enough to find that unconditional love in a friend or a lover, but it's very rare. So if I ever have a kid, it'd be so that I could look in those eyes and know that this child is a piece of me and will love me the same way I love, but I think that's selfish of me.
Growing up in Jersey City was interesting. I got to learn a lot about different cultures: I had Hindu friends, Middle Eastern friends, black friends, Spanish friends.
There's only a handful of directors who really understand what I call the alchemical balance between a man and a woman, in a woman's body, which most people consider the strong woman character.
I've never really been about looking good - I'm just bad at that stuff.
I've been part of really big things that are amazing, but I haven't taken on that responsibility yet. So I don't want to sell myself short by having a kid and then regret not doing what I set out to do.
I just never felt like I belonged anywhere. I always had a stick with a little knapsack attached.
I'd done two years' worth of extra work, and all my friends who I would go on auditions with went to school for acting. These were kids who knew when they were 14 years old that this was what they wanted to do with their lives, and they prepared for it, and they're getting canned at every audition.
[There is] type [of actors ]a true thespian who doesn't give a flying rat's ass what it is as long as it's deep, powerful, and painful, and they will dive in headfirst. I really respect those people. Meryl Streep is amazing at it.
I thought about making movies. It hit me when I was about 14, 15 years old.
I went to business school but left after four months because I just didn't want to be a puppet of society, stuck in an office, craving some sunlight.
Basically I was a rebel growing up. I got kicked out of six schools. But I don't think that it makes you less of an intellect. You know, if you ever crave knowledge, there's always a library.
Berlin is liberation. Architecture, man!
It's easy for me to work with other girls because I'm a tomboy and I don't want the guy, your boyfriend - I'm not interested in looking better than you, so don't worry. Fail or win, whatever it is, I need to go do stuff.
Milla Jovovich introduced me to [anthropologist and author of the Don Juan series of books involving shamanic peyote rituals] Carlos Castaneda because I was all into the hallucinogens for a minute.
The way I survived growing up in Jersey City was by being funny. It wasn't by being tough. Nobody thought of me as a tough kid, except for the kids I beat up.
Sometimes I wake up in awe that I'm alive. I can't get over that part, so I guess it makes me kind of like an existentialist.
It's the board I had a problem with. I could totally handle being in the water and stuff. I came here to do my own stunts. Water! Ocean! Action! Big waves! That water, that water has tamed me. You can feel that the world is connected to it.
After Cannes every year, I end up going to some foreign country I've never been to before and introducing myself to a new religion - I'll go to Bali and research Hinduism, or I'll go to Thailand and get another tattoo from Thai tattoo artist Ajarn Noo Kanpai.
The roughest thing was learning the realities of the world at such a young age. I was 10 or 11, going to church, hearing the adults standing on the podium talking about world affairs, about history, about war, and how America was founded.
