Miranda July Quotes - Page 5

It was a tiny sound but it woke me up because it was a human sound.

She never inquired, but she never recoiled, either. This is a quality that I look for in a person, not recoiling.

When she saw my messy desk, she said she was the same way, and there was no dust on the TV, and I was easy to love. People just need a little help because they are so used to not loving. It's like scoring the clay to make another piece of clay stick to it.

After I had my son I looked everywhere for a book that might serve as some kind of mirror. I bought so many silly books. Now I see what the problem was: I wanted a book about time-about mortality. I can't think of a writer who is at once so experimentally daring and so rigorously uncompromising as Sarah Manguso. Ongoingness is an incredibly elegant, wise book, and I loved it.

An erratum is a correction inserted into a book after publication. It's a nice thing to collect because you can't go after them, you just come upon them. In 25 years I've only found about 12.

She bludgeoned me with a look of such limitless compassion that I immediately began to cry.

The job of the artist is to point at things.

I could not make a move without making love.

My earliest memory is aged three, seeing sunlight on water and feeling it was really magical.

I looked at other couples and wondered how they could be so calm about it. They held hands as if they weren't even holding hands. When Steve and I held hands, I had to keep looking down to marvel at it. There was my hand, the same hand I've always had - oh, but look! What is it holding? It's holding Steve's hand! Who is Steve? My three-dimensional boyfriend. Each day I wondered what would happen next. What happens when you stop wanting, when you are happy. I supposed I would go on being happy forever. I knew I would not mess things up by growing bored. I had done that once before.

Would she understand that time had stopped while she was gone.

I walked down the hall and saw that [she] was sitting on the floor next to a chair. This is always a bad sign. It's a slippery slope, and it's best just to sit in chairs, to eat when hungry, to sleep and rise and work. But we have all been there. Chairs are for people, and you're not sure if you are one.

Where do we come from? Do souls really exist? I can't answer these questions, especially not at 6am.

I looked out the window for other passengers in love with their drivers, but we were well disguised, we pretended boredom and prayed for traffic.

You always feel like you are the only one in the world, like everyone else is crazy for each other, but it's not true. Generally, people don't like each other very much. And that goes for friends, too.

I'm not a cinephile. My films don't reference films. I'm more interested in rhythm and feeling.

When I was very little, I probably wanted to be more normal. I probably wanted the Laura Ashley bedroom, and instead I got thrift-store everything.

I think titles are tricky because they're like a really short ad for the book. And like an ad, they should open the door in a way that might be more accessible than the book itself. So I always like titles to be familiar. I'm not trying to break ground with the title itself. The title should feel like something already celebrated.

Maybe that's why people take pictures of themselves, to avoid being described.

I made some shorts that I'm not in. I think because I write so many short stories, it's not that hard to come up with characters that are not me. But my way into making movies has been through performing. My very first short film, I played a child and her own mother. So in some ways, to me, my great achievement so far is just that I've gotten all these other people to play the other parts. That's what makes it a real movie.

People who would not be using the word gender or thinking about gayness or trans-ness may actually, without even thinking about it, be not their own gender in their inner world. I think that's actually so normal, because female sexuality is sold to all of us. It doesn't just reach the eyes of men. You might not care about the idea of boobs or jugs or whatever, but it could impact your inner sexual life.

People tend to hold on to their first impressions - that's why those first descriptions can be so important. You don't even necessarily look at people that carefully after a while; you just hold on to that early impression.

Writing a novel was like I had some Play-Doh to work with and could just keep working with it - doing a million drafts and things changing radically and characters appearing and disappearing and solving mysteries: Why is this thing here? Should I just take that away? And then realizing, no, that is there, in fact, because that is the key to this. I love that sort of detective work, keeping the faith alive until all the questions have been sleuthed out.

I don't think I'm more of a screenwriter than I am a fiction writer. I'm more of a reader than a film-watcher, so I imagine that I'm not approaching fiction or films in a particularly cinematic way.

I think it's more interesting if you go all the way with the world you have, and really look at it, and push it to an even more extreme extreme.