Nat Hentoff Quotes - Page 2

My contact with [Cato] was strange. They're ideologues, like Trotskyites. All questions must be seen and solved within the true faith of libertarianism, the idea of minimal government. And like Trotskyites, the guys from Cato can talk you to death.

Why has slamming a ball with a racquet become so obsessive a pleasure for so many of us? It seems clear to me that a primary attraction of the sport is the opportunity it gives to release aggression physically without being arrested for felonious assault.

If [Bill Shawn] liked the piece, then he would run it. But he wanted the magazine to be something that was more than just a weekly event. And as a result you could pick up a New Yorker under him, as I mentioned before, a year from then or 10 years or 20 years and there would always be something worth reading in it.

When I speak to students, I tell them why we have a First Amendment. I tell them about the Committees of Correspondence. I tell them how in a secret meeting of the Raleigh Tavern in Virginia, Thomas Jefferson and Patrick Henry, who did not agree with each other, started a Committee of Correspondence.

I was writing - at least beginning to write Boston Boy and there were a lot of holes in my so-called research. I didn't know the towns my mother and father came from in Russia. I didn't know the name of the clothing store I went to work for when I was 11 years old. I didn't know a lot of things. So I called for my FBI files, not expecting to have that stuff there, but I wanted to know what they had on me.But they did have the towns my mother and father lived in in Russia. They had the grocery store I worked in when I was 11 years old.

Liberalism isn't quite as liberal as it pretends to be. And it goes through my adventures with the FBI during the anti-war period and the civil rights period.

They [FBI] had a lot of clippings, a lot of articles I'd written. And to me the - the funniest one was - I had done a piece for Playboy about J. Edgar Hoover.

This sounds corny, but I once told a kid when I was in a the library conference, the best - not the best, what I really hope for is that someday 20, 30 years from now, some kid, 12-year-old, 15-year-old, in Des Moines will be going through the stacks, if they have stacks anymore - they probably won't - and find a book of mine and get something from it.

After [Bill Shawn] was fired, I was going to the YMHA [Young Men's Hebrew Association] on the Upper East Side to do a talk on free speech.I went into a coffee shop to get a piece of pie and a coffee, and I was reading a paper and I hear a voice. And it was -it was not a voice I was familiar with, but I looked across the table and I saw Lilian Ross.And sitting next to her was William Shawn - no tie, needed a shave. His voice was kind of coarse and rather loud. He wasn't drunk, but I was just stunned.

The main jobs would be The New Yorker, The Village Voice, The Washington Post and - I'm thinking of The Reporter when Max Askeli was there, but I got fired from The Reporter.

I had not been very kind to J. Edgar Hoover. And the field agent had written on - it was sent directly to Hoover - that - the director should see this - `And, besides, Hentoff is a lousy writer.' And I thought that went a bit far.

I've been reading since I could read, which was about four or five years old.

[Arthur Koestler] wrote some other very interesting books, but that book - I mean, if I were teaching, I don't care what the course is, I would say you really have to read "Darkness at Noon".

I know [Arthur Koestler] fought in the Spanish Civil War. He was in prison, I think, in Spain and in Russia. He came to the United States; that's when I saw him in the mid-1940s.

I was in the back of the book [in the The Reporter] doing music.

I read like everybody - like every other writer.

I went to a lecture of [Arthur Koestler ] once, I never met him.

I was very much against the Vietnam War, and Max Askeli was visiting Lyndon Johnson in the White House cheering him on, writing editorials. And in The Voice one day I once referred to him as Commander Askeli. And I called in to The Reporter to go over the galleys of a music piece I had written, and the editor whispered to me, `It's not gonna run. You're not gonna run. Max Askeli has fired you because of what you said about him.'

I was less angry at [Carl] Armstrong, though I was angry at the people who came to his trial: Dan Ellsberg, who ordinarily I respected a lot; Philip Berrigan; the guy who teaches at Princeton still - I can't remember his name. And they were saying - well, they were saying, really, what Arthur Koestler had people saying on "Darkness at Noon." The means were unfortunate and, sadly, someone died, but the end is what is important and this was a great symbolic - something or other - sign against the war in Vietnam.

I went to the library as soon as I could walk. So the training came from reading all kinds of people, from fairy tales and later on to - I don't know why - Schweitz's "Life of Christ."

Carl Armstrong was one of those people in the anti-war years who had been so convinced of the righteousness of their cause that he and some friends decided they would blow up a building at the University of Wisconsin, in which they said research was being done to help the war against the Vietnamese. What they blew up at three or four in the morning was a young scientist, who was married and had a couple of kids, who wasn't working on war stuff at all. And he was killed.

There wasn't much said, but I was thinking, perhaps unkindly - not unkindly,but on - inaccurately of Theodore Dreiser's "Carrie," when the main character in "Carrie" has been brought down by Carrie and his - he - dress is disheveled and all that sort of thing. And that's the last I ever saw of [Will Shawn].

Lilian Ross was a - veteran writer for The New Yorker. She, in fact, brought me to The New Yorker many years ago.

[My father] was very impressed when he saw "Death of a Salesman," I must say. He recognized himself to some extent.

Fortunately most of the people who were involved in anti-Vietnam activity did not con themselves into being like the violent people they didn't want.