In a way, art is a great way to release your love, fantasy, and desires. It's like a fetish. It's a comfortable way of excising a lot of your conscience.
I grew up in the '80s and John Hughes was the filmmaker making serious movies for teenagers.
[Liv Corfixen] very much part of my life in that she's everything in my life and we found a way to use each other much more on a creative level as well. She was kind of the idea for this movie so I wanted to acknowledge that. She gave me the original idea to make the film.
[Reanu Reeves] is a very imaginative actor. He can have this wonderful balance of humor and fear. He's got these skills to be entertaining but also quite terrifying.
My initial idea was I wanted to make it a horror film, very much. At times I do enter that world.
I had met Keanu [Reeves]a few times so it was a great way to reach out to him with an actual job offer. He very kindly agreed to be part of it and it was an amazing experience.
It was a very comfortable and personal relationship [Cliff Martinez ].'The Neon Demon'is our third movie and the music has never been as important as for this movie.
I try not to have too specific notions because it messes up the process later on. I leave it very open to interpretation until I start casting. Everything changes a lot when you start casting. I mean everything.
There will always be a theatrical experience because there will always be cinemas no matter what. It's like there will always be theaters to have stage plays in.
The best thing you can do with actors is collaborate with them. My job is to inspire them to give their best. And they're only inspired if they feel they are part of the creative process, otherwise they'll shut down. So my goal is always to ask people what they would like to do before I even say my opinion. I usually don't know anything until I see it. I'm a fetish filmmaker - I make films based on what I want to see.
I think that Danish people may be thought off as the happiest people, but honestly...I love America.
I like doing the promotional work. It's part of the film's process. Cannes was very wonderful to premiere.
The kind of group mentality that we had lived under since the Second World War is starting to erupt, and the craving for individualism is now much stronger. It's not as taboo anymore, as it was when I was younger.
Jenna Malone was a very important piece of how the film [The Neon Demon] turned out.
I just close my eyes and I fantasize what I would like to see.
I feel Amazon is really bringing films into the future. So for me it was the best of both worlds.
I just think it was time [in THe Neon Demon]to do a film about women. But not just women, I wanted to do a movie about a teenage girl. It was a great counter to the masculinity of "Drive."
If the Wizard of Oz were real he would be in Hollywood.
Ironically, even the fashion in New York or Paris or Milan or whatever, or music in Berlin, or art in, I don't know, Madrid - all these scenes come and go. Everything leads back to Hollywood.
When we met, my agenda was "Get Elle Fanning." I believe Elle's was "Get the role." But we didn't know that.
But once you get down to reality, there's no one to play her and there's no movie. It would be ridiculous.
The character requires so many elements. The only one who could fulfill that was this one person: Elle Fanning.
Amazon, being a provider - not just on the playing field - is, of course, opening up a whole new set of possibilities. At the same time, Amazon also understands platforms. For them, theatrical is an extremely important event. I also believe it's the best way of seeing a movie.
Where war destroys, art inspires. And in order to inspire, you need to penetrate the brain. In order to penetrate the brain, you need something to react to. To have something to react to, you need to get your emotions up and running. To get your emotions up and running, you need to have something that ... whatever direction you go in, it has to be a movement between you and the experience.
In the end, we're just showmen. But, I think that it's an important factor. Not to be anything else but clear about that - for me, creativity is an important part of our evolution. Art has probably done more good for the world than war. But they're equally powerful. They both create revolutions.