I knew that one day I would come to this point that I would make something so outrageous and so ambitious that... it'd be that Don Quixote feeling, that I'd have to tilt at a windmill. Sometimes you've got to do it. That's the only way you can do things.
I have skipped from style to style from film to film, and I love doing that because it's given me the ability to free myself from the past. Perhaps one of the worst feelings that I can have is the feeling that I'm locked in, like a prisoner of myself, which is something we all feel at some point in our lives. So part of making those stylistic jumps is just to free myself up-to get away from the old or the old Oliver Stone.
Nixon identified himself as a crisis-laden man. He'd reach levels of victory and then he'd plunge into defeat. He was vice president, then he lost to Kennedy, then he lost the California governorship. Then came a great comeback and then he blew it again - and the next comeback, after he lost the presidency. He was a man who needed the feeling of walking the precipice.
I'd like to do a story about the medieval ages where in every scene you'd sort of feel that you were in the 12th century. That would be great to get that feeling.
Kennedy was significantly different than Eisenhower before him, and different from Johnson after him. So those three years were the beginning of a détente with the Soviet Union, a new feeling for peace, a seeking out of a new ally with the Soviet Union - the end of the Cold War, as Kennedy called it in his American University speech.
