Quincy Jones Quotes - Page 3

I was inspired by a lot of people when I was young, every band that came through town, to the theater, or the dance hall. I was at every dance, every night club, listened to every band that came through, because in those days we didn't have MTV, we didn't have television.

The climate in the '50s and '60s for black performers or black people in the entertainment business was atrocious. It was atrocious.

Im probably the only one in the world you can name thats worked with Billie Holiday, Louie Armstrong, Ella, Duke, Miles, Dizzy, Ray Charles, Aretha, Michael Jackson, rappers. Fly Me to the Moon was played on the moon by Buzz Aldrin. Sinatra. Paul Simon. Tony Bennett. Im the only one.

I guess hip-hop has been closer to the pulse of the streets than any music we've had in a long time. It's sociology as well as music, which is in keeping with the tradition of black music in America.

I never felt like that in my life. I didn't know human beings played these instruments. I heard them in Chicago and Louisville and St. Louis all my life, you know? But I didn't know human beings played them, you know? So the next day I went to Coontz Junior High School and I started on sousaphone, tuba, B-flat baritone, E-flat alto, French horn, trombone.

I started imagining this whole different world. It was a society of musicians, a family I hoped I could belong to one day.

Music in movies is all about dissonance and consonance, tension and release.

I got a scholarship to Seattle University and I was writing arrangements for singers and everybody. But the music course was too dry and I really wanted to get away from home.

Hell, nobody knows where jazz is going to go. There may be a kid right now in Chitlin Switch, Georgia, who is going to come along and upset everybody.

I got in the school band and the school choir. It all hit me like a ton of bricks, everything just came out. I played percussion for a while, and stayed after school forever just tinkering around with different things, the clarinets and the violins.

I go to the favelas in Brazil. It's the same in the South Side of Chicago. It's the same, or just more violent. We're trying to get them to stop selling dope. You see kids with AK-47s, and nine-year-olds with nine millimeters. You know, they don't play. They make us look like nuns.

To me it's no accident that all the symphony orchestras around the world tune up to the note A. And A is 440 cycles, except in Germany where it's 444. But the universe is 450 cycles. So what I'm trying to say is, I think it's God's voice, melody especially. Counterpoint, retrograde inversion, harmony... that's the science and the craft.

Louis 'Thunder Thumbs' Johnson was one of the greatest bass players to ever pick up the instrument, as a member of the Brothers Johnson, we shared decades of magical times working together in the studio and touring the world. From my albums 'Body Heat' and 'Mellow Madness,' to their platinum albums 'Look Out for #1,' 'Right On Time,' 'Blam' and 'Light Up the Night,' which I produced, to Michael's solo debut 'Off the Wall,' I considered Louis a core member of my production team. He was a dear and beloved friend and brother, and I will miss his presence and joy of life every day.

My grandmother had this high-tech security system - a rusty nail she used to lock the door.

I chose the trombone because the trombone players in the marching band got to be up front with the majorettes (because of the slides) and I loved that!

My dream is to put together a performance of the evolution of black music with Cirque du Soleil . I would also like to do street opera and children's books. But even as I work toward these things, I want to simplify my life.

Count Basie practically adopted me at 13. We became closer and closer and I ended up conducting for him and Sinatra.

Prince.. a true artist in every sense of the world.Gone way too soon.

My daddy was a carpenter that worked with the Jones boys, who are the most notorious in America. The black gangsters, you know, they were no joke. And he was their master carpenter. He used to build their homes, and all I saw when I was 11 years old were dead bodies and tommy guns and stogies, and backrooms, you know, Drexel Wine and Liquor, with the big piles of money underneath.

Some summers my father would take us down to visit our grandmother in Louisville, who was an ex-slave, Susan Jones, and she had a shotgun shack they call it, and no electricity, a well in the back, a coal stove, kerosene lamps.

A great song can make a terrible singer sound good, but a good singer - you put a great song on top of that, you're really in great shape!

I'd been in love before - I was always in love.

I'm a tremendous believer and supporter in hip-hop and rap.

Communications are making this one world. Back in the day, 400-500 years ago, nobody knew what anyone else was doing. It's on the 6 O'Clock news now. Now we can say, Oh, that's the way they live. Oh, they do that!! Opportunities, the chance to bring about change, it's all based on communication. Communication and jet planes.

My brother died of cancer two years ago (1998), renal cell carcinoma. He was my only real brother and I didn't know what to do. I'd never been so desperate in my life.