If getting on the radio was a major motivation, I'd be one of the worst writers of all time. I admire people who do it, and I think it's a nice way to work, but I try to do the best I can and write what I like. I don't worry about it.
I've written about a lot of different things, but the whole idea of writing for another character is unusual for pop music... Most of the repertory is love songs, and most of mine isn't. I don't know if that's a mental defect, or shyness, or what.
Sometimes what I'm writing is more important to me than the rest of my life. It's more important to me that I'm writing well than anything else.
I'm interested in geography and weather and things like that, and if you don't write love songs, you've gotta go somewhere. I wrote a lot about places because that's what else there was. I had to stop myself from writing more of them.
I think in most cases, unless you're writing about a character who is garrulous, you say what you've got to say and then get out. Those little conjunctions, those little turnaround words help you do it. That's the way I like to write: I get rid of things rather than add them.
I like to write my lyrics on clay tablets.
I like the performing. And interviews, even. And the stuff that's not sitting in a room by yourself with empty paper. But I never loved writing, to tell you the truth.
The easiest thing I do is assignment songs. They tell me what they need me to write. I can do that fairly quickly. Writing for an orchestra is difficult. Writing songs [on your own] is most difficult of all. Though [writing for] the orchestra is close.
Mostly, I don't write overtly personal stuff.
