I'm intelligent enough and capable enough to understand that you are ignorant, pompous, egotistical, cretin. I'm going to crush you on here because I'm tired of hearing about it.
But people find it easy to take shots on Twitter, and to use racial slurs and bullying language far worse than what you'll see from me. It's sad and somewhat unbelievable to me that the world is still this way, but it is. I can handle it.
I was making sure everyone knew Crabtree was a mediocre receiver. And when you try the best corner in the game with a mediocre receiver, that's what happens. I appreciate that he knows that now.
I consider every one of the Disney films that Bob & I worked on, to have been the luckiest break any two songwriters could have ever had. They all aimed at quality and timelessness. That's why they live over the years.
Well, then, do it then, boy.
But there was a hockey game where they didn't even play hockey, they just threw the puck aside and started fighting. I saw that and I thought, 'Oh man, I'm a thug?' So I'm really disappointed in being called a thug.
Anytime you run a gimmick offence, you're a little bit afraid - you're not sound in what you're doing in your base stuff.
My brother & I have always said that to write a song, it takes all the experiences of your life, plus the time it takes to write it! To be specific, yes, sometimes a song takes place in one session - together in one day.
We always feel there are 3 parts to the song. The most important part is the reason it should exist. Our process usually consists of me sitting at the piano & Bob hovering over it. We throw ideas out...I start to play something...he'll hum something to make it better. He'll throw a line to me, I'll twist it to make it better and we scramble around like that for sometimes hours and days, 'til we both agree we've got something to show! That's how it works!
It's hard coming in here talking a big game. It's hard, it's hard. It's a lamb coming to the wolves and throwing meat at them.
Good, bad or indifferent, I'm transparent with my opinions and what I believe. I just don't think in politics you can be that way.
All films created by Walt Disney at the time of his major outpouring of work were carefully crafted to fit scenes, characters, moods and situations. If these elements changed in any way, songs - no matter how good they were - were discarded. Others were written for the new scenes. Many times, character songs were dropped because characters were dropped...sequences were dropped etc.
Sometimes, months elapse before we've completed the song completely. There's no set rule. Something inside of you says - 'now you can present it!' If one of us feels it's not quite right, lyrically or melodically, we don't present it.
A lot of people have been asking whether I would ever go into politics. I'm not sure I would.
First of all, computer animation is certainly a tremendous and viable medium today. But the warmth and personality derived from 2-D animation, in my opinion, cannot be surpassed. Certain stories lend themselves well to 3-D animation and I won't labor this with naming them, but in my bones, I still respond more emotionally to the artists feel in 2-D. You feel the 'actor' in the animator more personally...it's hard to explain.
Walt Disney was a great believer in the use of song to convey story. He was primarily a storyman & story-driven songs were his 'pets.' He always asked what was going on with the song - he hated 'singing heads.' He loved learning about character & motivation thru music & lyrics.
Depending on the story, I don't feel that the music is disappearing. I feel if the story demands songs, they'll have songs. If it doesn't demand songs, you'll have underscore.
