I don't like words coming out of a character's mouth that I adore because not only is he a little bit duplicitous but he's kind of practical in the way he thinks, and he thinks in terms of everyone's humanity and how quickly we can go against what we think we meant when we said it or what we believe or blah, blah, blah.
The audience can feel the subtleties of the characters.
Every time I feel that I really hit critical mass and I'm in the right place is when I feel like the director and I become a third thing, and that's the character.
