The ephemeral nature of live performance is the part I love most - it's a monk's sand painting, carefully constructed, then wiped away in an instant.
Being in the studio is like painting, you know, you can really take your time, and try different things, and kind of go deep into it.
I gave up language for a while, and I started painting.And then I only listened to Miles Davis and other instrumental music to see how it felt to be without words.