I loved that song ["Don't Tell Me"], but man, it was dark. That song did nothing for Van Halen.
I really think that Van Halen has two choices if they want to continue. And maybe they don't want to continue, because they don't seem to do much.
I'm the only choice to make a record. And that's the only way I would do it. We'd have to make some new music. The fans deserve it. Van Halen's got some of the best fans on the planet.
I had more of a vocal range. If you wanted to play a keyboard song, like "Love Walks In," I can do it.
I had been in Africa for six weeks on a safari with my family. I said, "You know, I made a lot of money. I am getting kind of burned out. I really want to do something special." So I went on this extended trip to Egypt, Kenya, Sardinia - I really did it, man. I was coming home, and while I was gone, they changed the speed limit from 65 to 55.
After I had my dream, I got into numerology. Like my buddy's name is Bill, and I would say, "B is a two, and each I is a nine, and the L's are fours. And that's eight." I would figure out everybody's numerological single-digit number.
The downloads, the licensing, commercials, radio - it's made me more money than any song I've ever written, and it only went to No. 26. It wasn't a big hit at all. But it's a career song ["I Can't Drive 55"].
When I want to go be Chickenfoot, I go out and I'm the artist. It's all musical.
While I was in Montrose, the publishing checks went into the band's coffers. This was our management's decision; we were just financing ourselves on the road.
I don't want to try to force anything, because I'm really happy with Chickenfoot; my new record with them is phenomenal.
Everybody has weird dreams, but a usual weird dream is, okay, so your mom's driving a car and she's a dog.
It took me a long time to put it to use in things, but the name of my publishing company is Nine Music, and "Red" became my theme song.
I'd love to be abducted. I'd sit on my deck at home waiting all night long to be abducted. But that's never happened that I know of.
"Rock Candy" was my first record. I had never been in a studio, so I was in shock and I had no idea if it was great or if it stunk. I was just putting in my heart and soul, and closing my eyes and keeping my fingers crossed. I gave it everything.
I've had my fill of "One Way To Rock" or "I Can't Drive 55." Those are guy songs to me, and I'm cool with that. But when you write a great love song and you start seeing that 50 percent of your audience is beautiful women, that's much more rewarding, than having a bunch of guys out there.
I'm writing my biography. It's my business. This is what happened in my life, and I'm writing about it.
I've always been into writing love songs.
I can be singing about cat food and I'll make you think that I mean it.
It's a good thing I don't read everything Eddie says, or I'd be up in arms and not enjoying my life.
I had a solo career before Van Halen. My fan base filtered through Van Halen with me and came right on out the other side with me.
I wasn't writing the music. Ed would write a piece of music. I'd listen to it and come up with a melody and then we would arrange it. We'd put it together and I would write lyrics to my melodies.
I don't want to talk about negative, dark things. The only thing I've got against stuff like Marilyn Manson is, they make unbelievable videos and unbelievable images.
If I would have ever dreamed that I wouldn't be in Van Halen anymore and was going to have resume my solo career again, I would have never contributed anything towards my own greatest hits package.
When I left Van Halen, I went in the studio and made a CD called Marching to Mars with all studio musicians. I did it immediately. With the disappointment riding on my shoulders of the breakup of the band.
The reason I didn't fly over from Maui at their beck and call is my wife was about to have a baby at any time. Those guys knew that. These guys would not compromise and meet me halfway.