The idea is that Jodie Foster is with her child and she's going back to New York from Germany with her husband's body. She loses her child on a plane, and you think, 'How can that happen?' There's no record of her having brought a child onto the plane, and the captain is left wondering about whether she's telling the truth. You never really know if she's telling the truth or not.
You only have to pick up a paper to see the sort of scams and injustices that are out there. There's a sense that people don't belong and just aren't very happy. They're outraged, in fact, and they're being shafted left, right and centre.
You've only got to walk into a pub or a café or anything and you'll find people talking about topics they're very unhappy with. You feel as though things are being eroded and people don't know where they belong anymore.
Oblivion is something unique, an entertainment experience unlike anything I had seen before. I decided this was a project I really wanted to work on creatively, and I hope fans of the game enjoy the results.
