We're not on a desperate mission to write chart compatible stuff.
Despite my own doubts of being marketable or crushworthy, my goal was to write a record of peppy pop songs, hopefully without annoying anybody.
I'd like to ghost-write Liz Phair's novel. But I don't really know about that. It seems like a dignified thing to segue into as I approach the other side of 45. My hands are just full right now. There's the potential to try to write some kind of biography of Pavement - sort of a cryptic, nonfiction/fiction blowout. The story's never been told well. But that's a lot of inward-gazing that I'm not sure I want to do. I like to look out.
With lyrics for me, it's usually musically-based. It's not really poetry- or writer-based. It's rock-based. It doesn't mean that I'm aping rock lyrics, but I'm writing from a music standpoint. I'm thinking more of music heroes, if they're in my mind. Not William Blake or John Ashbury. Sometimes maybe I thought of him a little bit. Or Wallace Stevens. I don't even really fully understand either of them.
The narrative songs were well-written, like an article in The New Yorker. They're nice and pat. They're more like I'm just showing I can do that when I write a song like that. It's not my true calling.
The best I do, if I'm just playing around and riffing in a fantasy world, and then I'll write something down. Hopefully I write it down.
I did some writing. I was just taking the kids to school. I did a couple things and we did some tours. It was a lot of downtime.
I've lost my writing skills since college. I couldn't write a book. It would take a long time.