I had a wonderful childhood, coming from Cincinnati, and I think that it was great going into the life that I was going to have, where you have to start young as a dancer.
So dancing was not something I had a great desire to do.
I didn't care too much for ballet, because you had to be more disciplined, and you sort of looked like everyone else. It required a certain kind of conformity that I didn't feel like I wanted to do.
In fact, ballet companies did not exist in the Midwest when I was a child.
The particular ballet was not so important as the fact that I was physically healthy, and capable of getting out there and dancing as often as possible.
Of course, in the art class, I was the model.
Even though I am a professional, and I know what the steps are, I don't quite know how I'm going to do them, because I haven't lived that moment yet. I always feel very insecure and I get very excited.
I loved tests because it was another form of competing, a healthy competition.
I liked to read but, being a dancer, I didn't have a lot of time to read.
But what was my motivation was music, and the fact that I love to move around. I'm always moving around.
And I just thought, this is what I want to be. And I knew that dancing would be my chosen profession.
I learned to love dance for its own sake.
I didn't have any doubts about my choice of career, but I had constant doubts about my ability, yes.
I liked Latin, I like languages, I liked all the myths, and the Roman tales that we were required to translate in Latin, and all these interesting people who were never quite what they thought they would be or seemed to be.
I used to love to play dress-up, where you get your mother's or your grandmother's dresses and high heels.
I had two sisters, and we would love to get dressed up and pretend that we were chic, sophisticated ladies. And I think that was a great sort of preparation, in a way.
I could work out a lot of my emotions by going to class and dancing.
I liked tap, because I liked hearing the results of my movements.
I'm thought of as a cool, unemotional dancer, but inside I'm not.
I think especially in a world where you have so little say about what goes on in your life, or in the politics of the world around you, it is wonderful to go into that studio, and tell yourself what to do.
The body can do amazing things in a situation when it is really called for.