It was a realization for me when Oprah was talking about New Moon. I was like, "Oh, my god, she's watched a movie that I've been in!" People were like, "It just kicked in for you?," but it's just work for me. The idea that somebody that I've admired for so long had seen something that I'd done was when I understood the magnitude of it.
Chris was involved in that casting process. It was a different feel because New Moon was the first time that the Wolf Pack got together. With Eclipse, we were already established, so I didn't have that same bond or connection with David. It was very technical. He had a vision and an idea of what he wanted to do.
I just read that one scene for Emily in New Moon, and it was pretty simple and straightforward. They liked that I did it really natural. They were like, "That was great!," even with what little I had. Sometimes just having those little scenes are a lot tougher than if you have five pages because you have to go from 0 to 100 in a snap.
Yes, there was a massive difference between their styles. David is a very technical director and Chris is an actor's director, in the sense of emotion. With David, he's done horror films, so Eclipse is much darker, whereas I found New Moon really light and poetic. I didn't have as much interaction with David because the casting process was already done.
Most of Emily's backstory is written out between New Moon and Eclipse. I'm reading them as we're shooting the films. I haven't read Breaking Dawn yet. It's just too crazy. There's too much going on that you need a map. I just try to focus on one movie at a time. When we were doing New Moon press, people were already asking about Eclipse. I didn't read it until I was ready to go, so that it was fresh and I wasn't jumbled with all this other stuff.
