Toni Morrison Quotes - Page 14

Listening to the doves in Alfred, Georgia, and having neither the right nor the permission to enjoy it because in that place mist, doves, sunlight, copper dirt, moon-everything belonged to the men who had the guns. . . . So you protected yourself and loved small. . . . A woman, a child, a brother-a big love like that would split you wide open in Alfred, Georgia. . . . To get to a place where you could love anything you chose-not to need permission for desire-well now, that was freedom

Some Native American writers enjoy being called Native American writers.

The Nobel Prize is the best thing that can happen to a writer in terms of how it affects your contracts, the publishers, and the seriousness with which your work is taken. On the other hand, it does interfere with your private life, or it can if you let it, and it has zero effect on the writing. It doesn't help you write better and if you let it, it will intimidate you about future projects.

No matter what all your teeth and wet fingers anticipated, there was no accounting for the way that simple joy could shake you.

Alice thought, No. It wasn't the War and the disgruntled veterans; it wasn't the droves and droves of colored people flocking to paychecks and streets full of themselves. It was the music. The dirty, get-on-down music the women sang and the men played and both danced to, close and shamelesss or apart and wild...It made you do unwise disorderly things. Just hearing it was like violating the law.

Unless carefree, mother love was a killer.

A dead language is not only one no longer spoken or written, it is unyielding language content to admire its own paralysis. Like statist language, censored and censoring. Ruthless in its policing duties, it has no desire or purpose other than maintaining the free range of its own narcotic narcissism, its own exclusivity and dominance. However moribund, it is not without effect for it actively thwarts the intellect, stalls conscience, suppresses human potential. Unreceptive to interrogation, it cannot form or tolerate new ideas, shape other thoughts, tell another story, fill baffling silences.

Nobody loved her and she wouldn’t have liked it if they had, she considered love a serious disability.

Black women are the touchstone by which all that is human can be measured.

guileless and without vanity,we were still in love with ourselves then. We felt comfortable in our own skins, enjoyed the news that our senses released to us, admired our dirt, cultivated our scars, and could not comprehend this unworthiness.

You looked at me then like you knew me, and I thought it really was Eden, and I couldn't take your eyes in because I was loving the hoof marks on your cheeks.

Much handled things are always soft(27).

you got two feet, Sethe, not four." he said, and right then a forest sprang up between them; tactless and quiet.

I lived in a little working-class town that had no black neighborhoods at all - one high school. We all played together. Everybody was either somebody from the South or an immigrant from East Europe or from Mexico. And there was one church, and there were four elementary schools. And we were all, pretty much until the end of the war, very, very poor.

The presence of evil was something to be first recognized, then dealt with, survived, outwitted, triumphed over.

But her brain was not interested in the future. Loaded with the past and hungry for more, it left her no room to imagine, let alone plan for, the next day.

I think being an editor really helped me take other people's notes on my writing. I'd get a note like 'It's too wet' or 'The first couple chapters are good, but then the rest of the pages were so wet that they were completely illegible' or 'Did you dip this in Sprite? This smells like Sprite. Why would you dip your novel in Sprite?' And instead of pushing back, I'd listen. That's an incredibly important skill for a young writer to have.

...when the little boy discovered, at four, the same thing Mr. Smith had learned earlier -- that only birds and planes could fly -- he lost all interest in himself.

The children - I call them children when they're under 18 - are hungry for that love. The drugs are just a sleep that you can't even wake up from, because you might remember what you did when you were there. There's no place for them - there should be a rehabilitation center on every corner, along with McDonald's and the banks. This is serious business. The waiting lists are incredible. I mean, it's terrible. It's really terrible.

Who's Got Game? The Ant or the Grasshopper? The Lion or the Mouse? Poppy or the Snake?

The isolation, the separateness, is always a part of any utopia.

...she needed to confirm its presence. Like the keeper of the lighthouse and the prisoner, she regarded it as a mooring, a checkpoint, some stable visual object that assured her that the world was still there; that this was like and not a dream. That she was alive somewhere, inside, which she acknowledged to be true only because a thing she knew intimately was out there, outside of herself.

The idea of a wanton woman is something I have inserted into almost all of my books. An outlaw figure who is disallowed in the community because of her imagination or activity or status - that kind of anarchic figure has always fascinated me. And the benefits they bring with them, in spite of the fact that they are either dismissed or upbraided - something about their presence is constructive in the long run.

Everybody gets everything handed to them. The rich inherit it. I don't mean just inheritance of money. I mean what people take for granted among the middle and upper classes, which is nepotism, the old-boy network.

This is the time for every artist in every genre to do what he or she does loudly and consistently. It doesn't matter to me what your position is. You've got to keep asserting the complexity and the originality of life, and the multiplicity of it, and the facets of it. This is about being a complex human being in the world, not about finding a villain. This is no time for anything else than the best that you've got.