The main thing about improvising is listening so if something happens that wasn't expected and you know your character, you know what has to happen in this scene, you can react to that in a way that's honest and it might take you in a different direction to go to the same place.
I loved Old School. I thought Old School was very different than a lot of the comedies that had come out. And that character I liked. I tried to ground him very much in reality and play him very much [as] finding things important to him that are somewhat ridiculous.
I just want people to come to my stuff and escape and see me as a character, not as anything else.
All of us have a lot of sides to ourselves, but the fun thing about being actor is you make one side predominant for the character you're playing.
As an actor you bring some of your own experiences which can make things easier. You build off of it, but your imagination is always the best thing you have as far as creating things I think specifically for what that character is going through. But you're definitely drawing obviously upon things that you can connect to, and then you kind of mold the change that you're making into something that's right for the character.
My thing was always more character-driven comedies, not sketch comedy - not that there's not room for both or one isn't enjoyable, just my personal taste, I like movies that comedy comes from out of flaws of people, things that are uncomfortable, out of tragedy.
