Yevgeny Zamyatin Quotes - Page 4

The nights were long, like the braids of a pretty girl, and the days were short, like a girl's sense. ("The North")

In adopting the form of the adventure novel, Wells deepened it, raised its intellectual value, and brought into it elements of social philosophy and science. In his own field - though, of course, on a proportionately lesser scale - Wells may be likened to Dostoyevsky, who took the form of the cheap detective novel and infused it with brilliant psychological analysis.

There are two generic and invariable features that characterize utopias. One is the content: the authors of utopias paint what they consider to be ideal societies; translating this into the language of mathematics, we might say that utopias bear a + sign. The other feature, organically growing out of the content, is to be found in the form: a utopia is always static; it is always descriptive and has no, of almost no, plot dynamics.

Along the blade of a knife lies the path of paradox—the single most worthy path of the fearless mind . . . .

An error is more useful than truth: truth is a thought suffering from arteriosclerosis.

In order to write about the machine you have to know it, to live with it, to love it (or hate it). I think that true writing could be done on industrial subjects by people who work in industry, who are firmly linked with it. But ... and here is the opposite 'but', the technology of literary craftsmanship is itself a very fine and complex matter. Qualified specialists from industry prove themselves dilettantes in the field of literature. The needed synthesis is not yet in sight.

Sentences of the court on moral issues are always passed in absentia.

She moved nearer, leaned her shoulder against me — and we were one, and something flowed from her into me, and I knew: this is how it must be. I knew it with every nerve, and every hair, every heartbeat, so sweet it verged on pain. And what joy to submit to this 'must'. A piece of iron must feel such joy as it submits to the precise, inevitable law that draws it to a magnet. Or a stone, thrown up, hesitating a moment, then plunging headlong back to earth. Or a man, after the final agony, taking a last deep breath — and dying.

It has never occurred to me before, but this is truly how it is: all of us on earth walk constantly over a seething, scarlet sea of flame, hidden below, in the belly of the earth. We never think of it. But what if the thin crust under our feet should turn into glass and we should suddenly see?

Philosophers of genius, children, and the people are equally wise - because they ask equally foolish questions. Foolish to a civilized man who has a well-furnished European apartment with an excellent toilet and a well-furnished dogma.

The next stage of development, perhaps in the distant future, will be a social order under which there will be no need for the coercive power of the state.

There is no joy nobler than suffering for the sake of love for man.

The moon, our own, earthly moon is bitterly lonely, because it is alone in the sky, always alone, and there is no one to turn to, no one to turn to it. All it can do is ache across the weightless airy ice, across thousands of versts, toward those who are equally lonely on earth, and listen to the endless howling of dogs. (“A Story About The Most Important Thing”)

At night numbers must sleep; it is their duty, just as it is their duty to work in the daytime. Not sleeping at night is a criminal offense.

The world is kept alive only by heretics.

It is said there are flowers that bloom only once in a hundred years. Why should there not be some that bloom once in a thousand, in ten thousand years? Perhaps we never know about them simply because this "once in a thousand years" has come today.

To an artist, creating an image means being in love with it.

But you can't plead with autumn. No. The midnight wind stalked through the woods, hooted to frighten you, swept everything away for the approaching winter, whirled the leaves. ("The North")

The sun's champagne streamed from one body into another. And there was a couple on the green silk of the grass, covered by a raspberry umbrella. Only their feet and a little bit of lace could be seen. In the magnificent universe beneath the raspberry umbrella, with closed eyes, they drank in the sparkling madness. 'Extra! Extra! Zeppelins over the North Sea at 3 o'clock.' But under the umbrella, in the raspberry universe, they were immortal. What did it matter that in another far-away universe people would be killing each other?

They do not need the sun. Who needs the sun when the eyes glow? Darkness. A woolen fog has wrapped the earth, has dropped a heavy curtain. From far away, from beyond the curtain, comes the sound of drops falling on stone. Far, far away - the autumn, people, tomorrow. ("The North")

what primitive tastes the ancients must have had if their poets were inspired by those absurd, untidy clumps of mist, idiotically jostling one another about

What we need in literature today are vast philosophic horizons... we need the most ultimate, the most fearsome, the most fearless "Why?" and "What next?".

The art of the word is painting + architecture + music.

Accentuated plainness and accentuated vice ought to bring about harmony. Beauty lies in harmony, in style, whether it be the harmony of ugliness or beauty, vice or virtue.

The most wonderful thing in life is to be delirious and the most wonderful kind of delirium is being in love. In the morning mist, hazy and amorous, London was delirious. London squinted as it floated along, milky pink, without caring where it was going.