I didn't want the lyrics to be about specific things in my life, I wanted them to be about generalised experiences I'd had. So when I'm writing about relationships or somebody leaving you or something, a lot of lyrics are partly about failed relationships I'd had, but they were also about my Dad, and being abandoned as a kid.
I'm like part of the Kurt Cobain school of writing lyrics, which is the syntax of the words is more important than... is where it all comes from.
It's this funny thing now: You sign up to be a musician because you want to write music, but you don't spend your time writing music. Instead, you go around the world selling the music you've already made.
The music starts as being way separate from the lyrics, and I write - I have notebooks that I fill with drawings and just words, and stuff that I've written.
There's all these people involved, and it becomes this huge machine - it stops being just me making my own little songs for myself, or for the world. And it's hard to stop the machine. If you want to take time to write a record, they're like, "OK, tour through March, April, and June, then you can take a few weeks off to record in July before getting back on the road for the European festival circuit." After a while, I had to put my foot down.