I suddenly recall the arpeggios of laughter lilting across the tender, springtime grass-gay-welling, far-floating, fluent, spontaneous, a bell-like feminine fluting, then suppressed; as though snuffed swiftly and irrevocably beneath the quiet solemnity of the vespered air now vibrant with somber chapel bells.
Ralph Ellison (2010). “Invisible Man”, p.134, Vintage