Authors:

There is no more reason for a room on a stage to be a reproduction of an actual room than for an actor who plays the part of Napoleon to be Napoleon, or for an actor who plays Death in the old morality play to be dead.

Robert Edmond Jones (2004). “The Dramatic Imagination: Reflections and Speculations on the Art of the Theatre, Reissue”, p.4, Routledge
There is no more reason for a room on a stage to be a reproduction of an actual room than for an actor who plays the part of Napoleon to be Napoleon, or for an actor who plays Death in the old morality play to be dead.