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  5. In editing, its amazing how you choose the in and out...

In editing, it's amazing how you choose the in and out points. What you cut on is everything for creating tension. It's amazing how expanding a shot by five seconds can just ruin the tension.

Sean Durkin
Cutting, Editing, Creating
"FUTURES| Sundance’s Golden Boy Sean Durkin, Director/Writer of 'Martha Marcy May Marlene'" by Nigel M. Smith, www.indiewire.com. October 20, 2011.
In editing, it's amazing how you choose the in and out points. What you cut on is everything for creating tension. It's amazing how expanding a shot by five seconds can just ruin the tension.