In avant garde drama ... primitivism goes hand in hand with aesthetic experimentation designed to advance the technical progress of the art itself by exploring fundamental questions: What is a theatre? What is a play? What is an actor? What is a spectator? What is the relation between them all? What conditions serve this best?
C. D. Innes (1993). “Avant Garde Theatre, 1892-1992”, p.3, Psychology Press
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