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Stravinskys music, hard, cold, unsentimental, enormously brilliant and virtuous, was now the favorite of my postadolescence. In a different way it achieved the hard, cold, postwar flawlessness which I myself wanted to attain-but in an entirely different style, medium.

George Antheil (1945). “Bad boy of music”
Stravinskys music, hard, cold, unsentimental, enormously brilliant and virtuous, was now the favorite of my postadolescence. In a different way it achieved the hard, cold, postwar flawlessness which I myself wanted to