You may name a bronze statue 'Liberty,' or a painted figure in a city hall 'Commerce,' or a marble form in a temple 'Athene' or 'Venus;' but what is really there is only a representation of a single woman.
George Edward Woodberry (1914). “Two Phases of Criticism, Historical and Aesthetic: Lectures Delivered on the Larwill Foundation of Kenyon College, May Seventh and Eighth, 1913”
