The growth of art seems to be in cycles, and often its vigorous lifetime is restricted to a century or two. The periods of distinctive drama, Greek, English, Spanish, fall within such a limit; the schools of painting and sculpture likewise; and, in poetry, the Victorian age or the school of Pope will serve as examples.
George Edward Woodberry (1914). “Two Phases of Criticism, Historical and Aesthetic: Lectures Delivered on the Larwill Foundation of Kenyon College, May Seventh and Eighth, 1913”